The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
Hard Quiz - (Feb 26th)
Australian Survivor - (Feb 26th)
Watch What Happens Live with Andy Cohen - (Feb 26th)
Deal or No Deal Island - (Feb 26th)
Big Miracles - (Feb 26th)
Tribunal Justice - (Feb 26th)
Two Ways With Erica Mena - (Feb 26th)
Help Im in a Secret Relationship - (Feb 26th)
Love and Hip Hop Atlanta - (Feb 26th)
Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
On Your Knees! On your knees! It's something that Cleopatra her self shouts at a stunned Mark Antony, but it could quite literally have been shouted by many in Hollywood at 20th Century Fox as their gargantuan epic threatened to sink them. The trials and tribulations surrounding the film are stuff of legend, all of which makes for a film itself, but I will not go over old ground, there's a couple of great documentaries available out there and they are required viewing. They also help to explain somewhat why Cleopatra is not the genre defining classic many hoped it would be. Truth is is that no film could have lived up to the expectation that surrounded Cleopatra, as it is, with flaws and all, it's still a enjoyably lavish spectacle, harking back to a time when grandiose meant something. In fact a time of film making we could do with in today's day and age of retreads, remakes and soppy sequels. Split in to two narratives, that of Caesar & Cleopatra and Antony & Cleopatra, film basically deals with how Rome sought to conquer Egypt as Cleopatra clung on grimly in power and affairs of the heart. A cast of quality thespians stand straight backed and deliver the plot machinations, set to the backdrop of magnificent ornate sets, period costuming, piercing photography and a pulse pounding musical score. Quite simply the grandeur and scope is stunning in its presentation. Not all the dialogue works, and there are passages of exchanges that come off as undernourished; while soap operatics take a hold in the second part of the film. Yet for the historical epic fan there is just too much that is great for this to be ignored or considered a stinker. From Rex Harrison - Elizabeth Taylor - Richard Burton & Roddy McDowall, to the opulence seeping from every pore, Cleopatra is a joyous eye opening experience. Yes! Flaws and all. 8/10
An excellent example of what you can do when money is no object - except, here, in the writing department where this is simply no substitute for a succinct and creative hand at the typewriter. Elizabeth Taylor and Richard Burton successfully - if a little too theatrically - carry off their portion of this epic tale of the life of probably the world's most famous woman of antiquity. Rex Harrison, much less so as Caesar - but combined I think this is actually a far better film than the critics at the time declared. The cinematography and scale of the production are unsurpassed as are the costumes, and married with Alex North's suitably orchestral score, you really do get a sense of the opulence and grandeur of Cleopatra's court. Unfortunately, the supporting cast - Roddy McDowell; Martin Landau and Andrew Keir in particular don't quite cut it and so the story sort of fizzles out towards the end. Nonetheless, we will never see the likes of a film like this again and we ought to celebrate that.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.