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On Your Knees! On your knees! It's something that Cleopatra her self shouts at a stunned Mark Antony, but it could quite literally have been shouted by many in Hollywood at 20th Century Fox as their gargantuan epic threatened to sink them. The trials and tribulations surrounding the film are stuff of legend, all of which makes for a film itself, but I will not go over old ground, there's a couple of great documentaries available out there and they are required viewing. They also help to explain somewhat why Cleopatra is not the genre defining classic many hoped it would be. Truth is is that no film could have lived up to the expectation that surrounded Cleopatra, as it is, with flaws and all, it's still a enjoyably lavish spectacle, harking back to a time when grandiose meant something. In fact a time of film making we could do with in today's day and age of retreads, remakes and soppy sequels. Split in to two narratives, that of Caesar & Cleopatra and Antony & Cleopatra, film basically deals with how Rome sought to conquer Egypt as Cleopatra clung on grimly in power and affairs of the heart. A cast of quality thespians stand straight backed and deliver the plot machinations, set to the backdrop of magnificent ornate sets, period costuming, piercing photography and a pulse pounding musical score. Quite simply the grandeur and scope is stunning in its presentation. Not all the dialogue works, and there are passages of exchanges that come off as undernourished; while soap operatics take a hold in the second part of the film. Yet for the historical epic fan there is just too much that is great for this to be ignored or considered a stinker. From Rex Harrison - Elizabeth Taylor - Richard Burton & Roddy McDowall, to the opulence seeping from every pore, Cleopatra is a joyous eye opening experience. Yes! Flaws and all. 8/10
An excellent example of what you can do when money is no object - except, here, in the writing department where this is simply no substitute for a succinct and creative hand at the typewriter. Elizabeth Taylor and Richard Burton successfully - if a little too theatrically - carry off their portion of this epic tale of the life of probably the world's most famous woman of antiquity. Rex Harrison, much less so as Caesar - but combined I think this is actually a far better film than the critics at the time declared. The cinematography and scale of the production are unsurpassed as are the costumes, and married with Alex North's suitably orchestral score, you really do get a sense of the opulence and grandeur of Cleopatra's court. Unfortunately, the supporting cast - Roddy McDowell; Martin Landau and Andrew Keir in particular don't quite cut it and so the story sort of fizzles out towards the end. Nonetheless, we will never see the likes of a film like this again and we ought to celebrate that.
Epic film of the legendary Spanish hero, Rodrigo Diaz ("El Cid" to his followers), who, without compromising his strict sense of honour, still succeeds in taking the initiative and driving the Moors from Spain.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements.
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.
The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.
