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Batch from Scratch- Cooking for Less - (Feb 17th)
The Bold and the Beautiful - (Feb 17th)
The Young and the Restless - (Feb 17th)
Love Island- All Stars - (Feb 17th)
Deadline- White House - (Feb 17th)
Murder- Suspect No.1 - (Feb 17th)
Piers Morgan Uncensored - (Feb 17th)
Chris Jansing Reports - (Feb 17th)
Katy Tur Reports - (Feb 17th)
Traffic Cops - (Feb 17th)
The Repair Shop on the Road - (Feb 17th)
Come Dine With Me- South Africa - (Feb 17th)
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Escape to the Country - (Feb 17th)
Family Feud Canada - (Feb 17th)
Murdoch Mysteries - (Feb 17th)
Bargain Hunt - (Feb 17th)
Saint-Pierre - (Feb 17th)
Common Side Effects - (Feb 17th)
Australian Survivor - (Feb 17th)
It may be a phoney war to you, but it's not to all the blokes at sea. Never has been. Dunkirk is directed by Leslie Norman and adapted to screenplay by David Divine and W.P. Lipscomb. It stars John Mills, Richard Attenborough, Bernard Lee, Robert Urquhart, Ray Jackson and Robert Hines. Music is by Malcolm Arnold and cinematography by Paul Beeson. "Dunkirk was a great defeat, and a great miracle. It proved, if it proved anything, that we were alone but undivided. No longer were there fighting men and civilians. There were only people. A nation had been made whole" I think it's safe to say that to fully "get" this version of Dunkirk it helps to have some knowledge of the actual events. This is no standard war film, more so given it's about a defeat and the subsequent extraction of the armed forces from the beaches of that part of France. Narrative is two fold, one strand follows soldiers as they strive to make it through perilous lands to get to the beaches, the other comes from the civilian angle and those back in Britain, where there's an ignorance about how seismic this war is going to be. While the film is hardly a rousing battle laden spectacle - it's more an appreciation of a critical moment in history - it's very authentic in its teaching, the various human interest stories and their respective emotions are absorbing and always attention holding. Absolutely a must see piece of cinema for anyone who needs to understand just why the evacuation of troops from Dunkirk was so important. Superbly played by the cast, directed with safe hands and produced with class by the brilliant Michael Balcon, Dunkirk 58 a smart bit of classic war cinema. 8/10
This is an excellent war movie, especially considering it is from 1958. It has aged well. Today’s war movies are more visually impressive, of course, with the special effects that make it seem like you are witnessing the real thing. This version can’t match all that, but except for setting it up politically with newsreel clips and people discussing the “phony” war, this film shows the personal journey of Dunkirk. The home front, soldiers caught behind the rapidly shifting line of battle, and later on the masses of soldiers on the beaches waiting for the civilian “navy” who lent their boats and themselves to the impossible task of getting the trapped army back home to England. The voiceover narration seemed unnecessary at times. I felt they should just get out of the way and show this human side of the battle of Dunkirk, which could have been a massacre but was instead a stunning rescue operation. We almost expect our war movies to be three-hour spectacles these days, and they are visually impressive, but I still appreciate movies like this one, which balance realistic small-scale warfare scenes with scenes depicting the human interest stories of war.
Eight months after the Chernobyl disaster, a Chernobylite woman that stayed behind to care for her sick mother gives birth to a mutated daughter. She wakes up after giving birth to find her mother gone. Masha, isolated and suffering from cataracts from the radiation exposure, becomes fearful that soldiers will take her contaminated baby. While attempting to reunite with her family in Kiev, the blinding mother and infant become lost in a forest. Masha sees a figure chasing her and believes it's a soldier that wants her child.
The story of German minority members who, after escaping from Wehrmacht, form a partisan unit named "Ernst Thalmann" in eastern Croatia. The focus is a family whose members fight on different sides of the barricade.
U.S. Ambassador Henry Morgenthau risks his job and his reputation by leaking memos to the New York Times and becoming the first whistleblower of the Armenian Genocide. (Based on "Ambassador Morgenthau's Story" by Henry Morgenthau)
During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper's debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo's debut film, as well as script supervisor Joyce King's.
Irena Sendler is a Catholic social worker who has sympathized with the Jews since her childhood, when her physician father died of typhus contracted while treating poor Jewish patients. When she initially proposes saving Jewish children from the Warsaw Ghetto, her idea is met with skepticism by fellow workers, her parish priest, and even her own mother Janina.
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
The Highland, a region of Denmark that has been overtaken by an elite of totalitarian women. Lea fights for the survival of her son, Eddie, and meets a man named Levi who can help them escape. Will they succeed?
During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.
Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.
Living through the air raids of the German Luftwaffe in 1940, a little boy, Paul, tries to explain to himself what’s happening to the city during the nights he’s taking shelter down in the London Underground.