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**By: Louisa Moore / www.ScreenZealots.com** The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a harrowing portrait of an Iranian woman who is doing her best to make the most of a terrible situation. This intimate story is one of female empowerment and endurance in a cultural system that often treats females as second class citizens. Shayda (Zar Amir-Ebrahimi) is a young mother who, with her 6-year-old daughter Mona (Selina Zahednia) has fled her horribly abusive husband Hossein (Osamah Sami) and moved into a women’s shelter in Australia. Shayda has bravely filed for divorce and is now an outcast in her own community. Constantly living in fear yet seeking a fresh start for herself and her daughter, Shayda struggles to provide a safe, calm, and normal home for her child. The two are getting by fairly well and enjoying their newfound freedoms until they get the troubling news that a judge has granted Hossein visitation rights. A dangerous situation is created when he reenters their lives and begins spending more time with his child, which causes Shayda to live in constant fear that Hossein will try to kidnap Mona and take her back to Iran. Niasari’s story explores the trauma of a sexually, physically, and emotionally abusive relationship and celebrates the sheer perseverance that one woman possesses when it comes to protecting her daughter from harm. This female-focused film addresses the cultural norms of Shayda’s home country of Iran, a place where women live with a lack of legal autonomy and have weak protections from serious things like domestic violence, and when they push back against discriminatory practices and laws, they are often arrested or given death sentences. It’s sad and infuriating how women are treated, especially those who are seeking a divorce. Niasari effectively expresses the agony, horror, and vulnerability that a soon-to-be single mother must deal with in order to liberate herself from a life of maltreatment. Amir-Ebrahimi gives a strong performance in the lead role, and she expresses a universal empathy and determination that is inspiring. Equally effective are Zahednia as a frightened innocent, and Sami as a charmer of an abuser who swears he’s changed (thankfully, Shayda knows better). “Shayda” is a solid drama that’s politically-minded, timely, and engaging. It can be tense and difficult to watch at times, but as the titular character begins living life on her own terms, things that once felt menacing now seem liberating.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Jackie is a divorced mother of two. Isabel is the career minded girlfriend of Jackie’s ex-husband Luke, forced into the role of unwelcome stepmother to their children. But when Jackie discovers she is ill, both women realise they must put aside their differences to find a common ground and celebrate life to the fullest, while they have the chance.
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
Berlin, Germany. A cruel murder took place in an appartment building. Somebody bit off quite a piece of the victim's penis, who then, of course, lost a lot of blood, before being struck down at the head. Leading investigator Bernhard Kominka, being in stress due to a mentally retarded son and a problematic wife, seems to be the only one to see a lady in a red coat. After a while, his theory of her being the murderer may prove to be true, but the Cop also kind of fell in love with this new, interesting person in both of his lives: professional and private as well. Borders dissolve. His decision may be disastrous in any way.
Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...
Escaped convict Sam Gillen single-handedly takes on ruthless developers who are determined to evict a widow with two young children.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
When the strain of tragedy was too much for a young couple in Appalachia, prescription pills became the medicine to ease the pain.
Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.