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**By: Louisa Moore / www.ScreenZealots.com** The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a harrowing portrait of an Iranian woman who is doing her best to make the most of a terrible situation. This intimate story is one of female empowerment and endurance in a cultural system that often treats females as second class citizens. Shayda (Zar Amir-Ebrahimi) is a young mother who, with her 6-year-old daughter Mona (Selina Zahednia) has fled her horribly abusive husband Hossein (Osamah Sami) and moved into a women’s shelter in Australia. Shayda has bravely filed for divorce and is now an outcast in her own community. Constantly living in fear yet seeking a fresh start for herself and her daughter, Shayda struggles to provide a safe, calm, and normal home for her child. The two are getting by fairly well and enjoying their newfound freedoms until they get the troubling news that a judge has granted Hossein visitation rights. A dangerous situation is created when he reenters their lives and begins spending more time with his child, which causes Shayda to live in constant fear that Hossein will try to kidnap Mona and take her back to Iran. Niasari’s story explores the trauma of a sexually, physically, and emotionally abusive relationship and celebrates the sheer perseverance that one woman possesses when it comes to protecting her daughter from harm. This female-focused film addresses the cultural norms of Shayda’s home country of Iran, a place where women live with a lack of legal autonomy and have weak protections from serious things like domestic violence, and when they push back against discriminatory practices and laws, they are often arrested or given death sentences. It’s sad and infuriating how women are treated, especially those who are seeking a divorce. Niasari effectively expresses the agony, horror, and vulnerability that a soon-to-be single mother must deal with in order to liberate herself from a life of maltreatment. Amir-Ebrahimi gives a strong performance in the lead role, and she expresses a universal empathy and determination that is inspiring. Equally effective are Zahednia as a frightened innocent, and Sami as a charmer of an abuser who swears he’s changed (thankfully, Shayda knows better). “Shayda” is a solid drama that’s politically-minded, timely, and engaging. It can be tense and difficult to watch at times, but as the titular character begins living life on her own terms, things that once felt menacing now seem liberating.
The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.
A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.
A wealthy industrialist's wife gets into a big argument with him; to cool off, she goes on an ocean trip. He thinks she's left him for good, so he marries another woman. When his first wife returns, complications ensue.
After the death of her beloved grandmother, eight-year-old Nelly meets a strangely familiar girl her own age in the woods. Instantly forming a connection with this mysterious new friend, Nelly embarks on a fantastical journey of discovery which helps her come to terms with this newfound loss.
A young florist, who is allergic to flowers, gets the opportunity to save her shop by creating a flower arrangement.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
A young girl has some visions about her future that will change her relationship with her mother, forever.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.