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60 Minutes - (Mar 10th)
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Home Grown - (Mar 10th)
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The Equalizer - (Mar 10th)
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**By: Louisa Moore / www.ScreenZealots.com** The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a harrowing portrait of an Iranian woman who is doing her best to make the most of a terrible situation. This intimate story is one of female empowerment and endurance in a cultural system that often treats females as second class citizens. Shayda (Zar Amir-Ebrahimi) is a young mother who, with her 6-year-old daughter Mona (Selina Zahednia) has fled her horribly abusive husband Hossein (Osamah Sami) and moved into a women’s shelter in Australia. Shayda has bravely filed for divorce and is now an outcast in her own community. Constantly living in fear yet seeking a fresh start for herself and her daughter, Shayda struggles to provide a safe, calm, and normal home for her child. The two are getting by fairly well and enjoying their newfound freedoms until they get the troubling news that a judge has granted Hossein visitation rights. A dangerous situation is created when he reenters their lives and begins spending more time with his child, which causes Shayda to live in constant fear that Hossein will try to kidnap Mona and take her back to Iran. Niasari’s story explores the trauma of a sexually, physically, and emotionally abusive relationship and celebrates the sheer perseverance that one woman possesses when it comes to protecting her daughter from harm. This female-focused film addresses the cultural norms of Shayda’s home country of Iran, a place where women live with a lack of legal autonomy and have weak protections from serious things like domestic violence, and when they push back against discriminatory practices and laws, they are often arrested or given death sentences. It’s sad and infuriating how women are treated, especially those who are seeking a divorce. Niasari effectively expresses the agony, horror, and vulnerability that a soon-to-be single mother must deal with in order to liberate herself from a life of maltreatment. Amir-Ebrahimi gives a strong performance in the lead role, and she expresses a universal empathy and determination that is inspiring. Equally effective are Zahednia as a frightened innocent, and Sami as a charmer of an abuser who swears he’s changed (thankfully, Shayda knows better). “Shayda” is a solid drama that’s politically-minded, timely, and engaging. It can be tense and difficult to watch at times, but as the titular character begins living life on her own terms, things that once felt menacing now seem liberating.
A recent divorcee's holiday celebration with her adult children derails when she falls for her daughter's charming new boyfriend. A comedy influenced by "The Graduate," told from the perspective of a protagonist inspired by Mrs. Robinson.
Marianne, 44, has been living with the lawyer Gustaf in a conventional sexless marriage for way too long. She wants a separation, but Gustav settles for a trial separation. As Marianne indulges in being newly single, Gustaf is perplexed by the sudden turn of events and in his confusion makes a completely irrational career change: he quits his job to start writing poetry. Meanwhile, Marianne meets the artist Rodolfo, the complete opposite of Gustaf; intriguing, emotional, impulsive. And horny.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen...
The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
The monotony of college life traps Murphey into disillusionment and apathy. She can't feel anything and can't figure out why until a phone call with her mother reminds her that there is life beyond school and that happiness is possible even when it has never felt further away.
Life for Adela, a single mom trying to raise her infant son, and Antonia, a widow with three daughters, are forever altered by the terrorist bombing in Madrid.
