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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
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**_Tonally flawless, but narratively weak_** > _The killing was just a means to an end. That was the least satisfactory part. I didn't enjoy doing that. That's why I tried to create living zombies with uric acid and the drill, but it never worked. No, the killing wasn't the objective. I just wanted to have the person under my complete control, to do with as I wanted. It's not easy to say that, but that's what the motive was._ - Jeffrey Dahmer; speaking to Stone Phillips; _Dateline NBC_ (March 8, 1994) Taking place over the course of Jeffrey Dahmer's last year in high school, and culminating with the fateful meeting between Dahmer (Ross Lynch) and Steven Hicks (Dave Sorboro), writer/director Marc Meyers's _My Friend Dahmer_ is based on the 2012 graphic novel by Derf Backderf (played in the film by Alex Wolff), who attended the same school as Dahmer, and formed a pseudo-friendship with him. The film is tonally brilliant, coming across like _The Breakfast Club_ (1985) directed by David Fincher, perfectly capturing 80s tackiness. Narratively, however, it's extremely plodding, and could easily have been trimmed by 20 minutes. It's also difficult to see what Meyers was trying to achieve; other than a couple of brief moments, we're never given any real access to Dahmer's interiority, so he remains an enigma, always at arm's length (which could have been the point). But is Meyers asking us to feel sympathy for Dahmer because he had a difficult adolescence, came from a broken home, couldn't make friends in school; to quote that great line from Michael Mann's _Manhunter_ (1986), > _my heart bleeds for him, as a child. Someone took a kid and manufactured a monster. At the same time, as an adult, he's irredeemable. He butchers whole families to pursue trivial fantasies. As an adult, someone should blow the sick fuck out of his socks._ Or is this simply a character study (if we didn't know it was about Dahmer, it could be any number of examinations of high school awkwardness)? The lack of clarity regarding the film's theme is compounded by the scenes where it looks as if Dahmer is about to murder someone, only to stop at the last second. This is an especially strange way to generate tension, insofar as we already know his first murder was Hicks. Also, if the film is actually trying to say something of societal worth regarding serial killers, directionless youth, nature vs. nurture etc, trying to draw an audience into the narrative with the prospect of murder probably isn't the way to go about it. The film also fails to really get into the issues of Dahmer's sexuality, and his confusion and frustration about being gay. It's worth a look, and Lynch's performance is quite something, but if you're already familiar with Dahmer's story, you won't find much insight here.
A story set over one night in a small rural community we watch various relationships and actions among local people; these include birth, death, and conflicts fuelled by alcohol. The fates of various characters become interlaced over a long and light-filled summer night in the Finnish countryside. Lumberjacks, a deer-eyed young man Nokia, a family of poor farmers, a young girl and her lover. New life is born, old life dies, man is slain in his prime, and his widow continues her life.
Richard Clark has just left the well-known Wellington Academy to teach at Marion Barry High School. Now, he will try to inspire the D-average students into making good grades and try to woo a fellow teacher.
Vikram and his American wife Anna travel to India to meet Vikram's estranged father. The small town of Ooty is oddly familiar to Anna who becomes haunted by visions of a murder that happened thirty years ago.
Meet Joel Goodson, an industrious, college-bound 17-year-old and a responsible, trustworthy son. However, when his parents go away and leave him home alone in the wealthy Chicago suburbs with the Porsche at his disposal he quickly decides he has been good for too long and it is time to enjoy himself. After an unfortunate incident with the Porsche Joel must raise some cash, in a risky way.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
Join uptight David Starsky and laid-back Ken "Hutch" Hutchinson as they're paired for the first time as undercover cops. The new partners must overcome their differences to solve an important case with help from street informant Huggy Bear and persuasive criminal Reese Feldman.
In a sleepy bedroom community of LA's San Fernando Valley, the murder of a professional athlete by two hit men sets into motion a chain of events that puts the mundane lives of a dozen residents on a collision course. This clever tale tells the story of two hit men, a mistress, a nurse, a vindictive ex-wife, a wealthy art dealer and his lovelorn assistant, a suicidal writer and his dog, and a bitter cop and his partner.
The life and career of shock-jock superstar Howard Stern is recounted from his humble beginnings to his view from the top. Possessing a desire to be an on-air personality since childhood, Stern meanders through the radio world, always with his supportive wife, Alison, by his side. Landing a gig in Washington, D.C., Stern meets Robin Quivers, who will become his long-time partner in crime. When the two move to New York, they face the wrath of NBC executives.
An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
A portrait of the Spanish painter José Pérez Ocaña (1947-83), who used transvestism and performances as his calling card.