Comme un seul homme

David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

One minute! That is all the time you need to watch an entire bout! All of the fights you'll see lasted just 60 seconds or less.

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

Halfway between a sports documentary and an conceptual art installation, "Zidane" consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.

A deeply human portrait of a boxer with the heart of a lion who refused to give up, in and outside of the ring. This documentary follows the fighter's life from a child who was taught how to hate, to a father who learned how to love.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.