Behind the Lens

15-year-old Johan helps his 9-year-old brother, Oscar, to build a space rocket to go visit their dad. Johan has made up a story for Oscar, as to why their dad is no longer with them. But on the day that Oscar celebrates his 10th birthday, this lie turns into something unexpected. Will Johan tell Oscar the truth?

Viorel is 12 years old boy and he lives with his grandfather near the Danube river. He helps his grandfather to fix the figurines of an old merry-go-round. Mirko is the son of the local police officer on the Serbian shore of the Danube. The two kids have a remote controlled small boat which they use to send each other various objects. When Viorel finds a gun in his grandfather's attic their lives will change.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

On a planet far away, a primeval creature gets banished by the chief of its tribe. Exiled and with the burden of a disgraced honour, it sets foot into the unknown land beyond its home, where it finds an intriguing alien concept to take vengeance.

“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.

Late Bloomer is the pastoral romance of an eternal recurrence. Director's talent to plea for love without any dialogue would touch the hearts of audiences. The old man's day out which at first seemed like the ordinary visit of his family's graves turns out to be the poem about the everlasting love. Actor Yoo Soon-cheol wrote this poem with his old and stoop-shouldered body.

Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

After aborting his last assignment for moral reasons, a contract killer is given a second chance to prove his loyalty. But when he learns his mark is his girlfriend's husband, he finds himself battling the ultimate moral dilemma. With only 72 hours to fulfill the contract, he must find a way to save the innocent, and himself... but not everyone is as innocent as they seem.

Two boys, one girl, one night in the Northeast of Brazil. A morning of passion and secrets revealed.