Enemies

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.

Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.

Ibsen's play, adapted to Australia, concerns a couple forced to answer for their daughter's legitimacy.