Amadeus

Tatyana’s husband left for the business trip. And right away the local ladies’ men begin to put the moves towards a young woman. At first she fights back, but under the pressure of good words and love-making she is ready to put up hands. But the husband’s returning makes allowances in the plans of all characters. Based on Ivan Kotliarevsky` vaudeville The Muscovite-Sorcerer, that, together with operetta Natalka Poltavka (Natalka from Poltava), was landmarks in the development of Ukrainian theater.

Rio de Janeiro. Confronted with the violence that exists in the favela where he lives, Tiago sees the only way out to become a soccer player and, in this way, help his family to have a better life. Although he is the best player in his neighborhood and the chances of being discovered by a scout are good, he faces a number of problems. One of them is Tubarão, the leader of the most powerful gang in the favela, who wants Tiago to work for him as a drug dealer. To complicate matters even more, Tiago falls in love with Juliana, Tubarão's sister.

Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.

Vignettes of the lives of several residents of a Vienna suburb during a heat wave.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.

Stéphane Bern tells the story of King Louis XVI, deposed by the revolution and guillotined on January 21st, 1793. He was a cultured man, passionate about the technical advances of his time, but powerless against the huge deficit in the country. He actively supported the birth of the USA. Louis XVI was the last king to live in the palace of Versailles, where he organized the first flight of a balloon, launched the legendary expedition of Jean-Francois de La Perouse and offered his wife Marie Antoinette, the beautiful setting of the Petit Trianon, as million visitors around the world continue to admire.

With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.

When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!

Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.