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FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-end-we-start-from-bfi-film-festival-review/ "The End We Start From marks debutant Mahalia Belo as a filmmaker to follow closely in the coming years, despite the story not being imaginative or impactful enough to reach a higher level of satisfaction. With a substantial thematic sense, maternal symbolism is portrayed through Belo's contemplative vision, as well as Susie Lavelle's atmospheric cinematography. However, it's up to Jodie Comer and Katherine Waterston to carry the movie on their shoulders, which, unfortunately, lacks a better exploration of the climate crisis that it uses more as a narrative background trigger. A more memorable conclusion could have made the difference..."" Rating: C+
With a fairly biblical storm raging outside, an heavily pregnant mother (Jodie Comer) is sitting at home watching the telly. Power goes out, waters break then the struggle to get boyfriend (Joel Fry) and ambulance to hospital is the start of their woes. Leaving, they discover that huge swathes of England are under water so they head to higher ground and his parents. Fortunately, they have had a long ridiculed bit of a siege mentality so there's plenty of food but that's about all as the family units begin to disintegrate, just as society is doing at large elsewhere. The couple become separated and the un-named mother must now find safety for herself and her baby until some form of normality returns. This is another hugely emotional effort from Comer with Fry, a fleetingly potent contribution from Benedict Cumberbatch and a strong role for new-found friend Katherine Waterson working well, too. The story though - well it reminded me a little of "Children of Men" (2006). A rather depressing and dreary chronology - augmented with some flashbacks of happier days - of how individuals deal with disaster, be they self induced or imposed, and I struggled to remain engaged as the narrative lumbered along. The direction and the score are also fairly lacklustre. One too many shots of cars driving along, of mother carrying baby, cheering baby, nursing baby - and talking of the baby, boy does it age! If it's meant to be a very personal, intimate even, indictment of mankind's inhumanity to itself when facing desperation then it just about works, anything else was rather wasted on me, I'm afraid.
Environmental apocalypse survival story? Sign me up! I loved this movie. You don't often see mom's of newborns as the bravest people on the screen. Yet, true to life, don't mess with a mama bear! Whenever I watch something I look for clues if a woman wrote it or not. With this one I was 100% it was written by a woman and pleased to find out it was two! Also, a woman director, first feature, yay! I can tell the difference between how we write ourselves. I loved the chemistry between Comer & Waterston. I had never seen the latter actor before and this performance made we want to do a deep dive into her work. Both of them earned these parts for sure and did not rely on their beauty one bit in these performances. Strong women write strong women! Also there's super cute babies in it. That's the perfect baby age to me, 4-5 months. So cuddly! Highly recommend for everybody.
"The End We Start From", is carried more by quality performances, than a sterling script. On first inspection this looks like a apocalyptic, survivalist film but that soon gives way to what is, essentially, an interpersonal drama. Its not a terribly original proposition. It's script is not doing anything new or even overly clever. I will say, its at times, austere tones, can feel, a little emotionally burdensome. The key reason this film works, in spite of its shortcomings, is the outstanding performance, handed in, by Jodie Comer, as a mother looking to reunite her family. Comer shines as a desperate, isolated woman, with little more than a thin thread of hope, to sustain her. She's utterly convincing, drawing you in, perhaps a little in spite of any reservations, you might have, about the pedestrian back story. In summary, a film sustained, in large part, by an outstanding performance from its lead actress. Take a look and see if you agree with me.
Experienced New York Police Detective John Harris is sent to London to help a local task force investigate a series of gangster killings organized by a new player in town, an American. With the help of a young teen wronged by gangsters, Harris navigates London's seedy, drug-fuelled underworld in order to take down its new criminal empire.
In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.
Margaret is a nurse in England during WW2, and married to a secret agent. Things get complicated when she falls for David, an American pilot.
Noah's Ark—the latest in VR technology and a milestone of human innovation—is set for a showcase to Japan's privileged children. They have the honour of beginning a new revolution in gaming; however, their carefree fun is cut short when a company employee is found murdered, with his dying message pointing to a clue hidden within the Ark. Along with the Detective Boys and Ran Mouri, Conan Edogawa enters Noah's Ark to solve this mystery and ensure the perpetrator is caught. But once they're inside the Ark, it takes on a mind of its own, imprisoning them and the children within its worlds. To escape and bring the murderer to justice, Conan and company must navigate a simulated 19th century London and track down the infamous Jack the Ripper—with the lives of 50 innocent children depending on them.
Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.
London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.
The swinging London, early sixties. Beautiful but shallow, Diana Scott is a professional advertising model, a failed actress, a vocationally bored woman, who toys with the affections of several men while gaining fame and fortune.
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.