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Interesting and entertaining movie getting the maximum from just an actor and a coffin. However, you will feel cheated every now and then when you see how the coffin seems to enlarge and shrink.
I really LOVE this movie ! I love films like this and “Entrapped . A Day of Terror” , entirely shooted inside one claustrophobic location :-) only a perfect screenplay can make the film Adrenalinic and not annoying, as of course the set is on few square mq2 !
Despite the fact that there are quite a few plot holes in this quite tautly put together drama, Ryan Reynolds might actually have turned in one of the best performances of his career, here. Perhaps that's because he awakens to find he's been buried in a big wooden box with only an hip flask, torch and his phone. He's been in Iraq driving for an American truck company when it was attacked and he's now the subject of a $5millions ransom demand. Over the next ninety minutes he has to use the phone and his wits to try to track down some phone numbers who can help find his particular hole in the ground. This, bear in mind, is before we all had GPS on our telephones - so it's quite a frantic affair as he begins to realise the dangers of his predicament. There's also quite possibly one of the most obnoxious phone calls I've ever heard between him and his ass-covering personnel director that really did have me shouting "lie, for God's sake" at the screen. This gives Reynolds a chance to ditch his pretty boy image and try to imbue his character with a degree of claustrophobic frenzy from a staring start - and I think he does it quite well. It has a sinister plausibility to it, and as to the denouement - well there's nothing straightforward about that, either. Worth a watch, I'd say.
'Buried' mostly delivers, the ending is what makes me definitively say that I had a positive time. The film does build tension nicely, it feels claustrophobic without a doubt. It is also paced competently, impressively so given its one location setting (credit to Ryan Reynolds). The only criticism I hold is that the film makes the lead character kinda unlikeable early on, which really shouldn't be the case given it ought to be a tap-in to make you care for Paul Conroy given the plot's nature. To me, in moments, he came across more dick-y than panicked. That kinda led me down the garden path in terms of predicting how it was going to all end, one on my (half-baked) theories was that it was going to head in a 'Butterfly on a Wheel'-esque (great movie, fwiw) direction. It didn't, of course, but the unpredictability was satisfying. I'm perhaps being harsh or was overanalysing with the unlikability factor. Either way, it doesn't really matter all that much because I still think of this in a good way post-watch. Well worth seeing.
Traveling businessman David Mann angers the driver of a rusty tanker while crossing the California desert. A simple trip turns deadly, as Mann struggles to stay on the road while the tanker plays cat and mouse with his life.
Five different criminals face imminent death after botching a job quite badly.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
John Shaft is back as the lady-loved black detective cop on the search for the murderer of a client.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.