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Low budget classic that is now a genre landmark. Set somewhere in the future we are privy to a world where the roads are ruled by maniac gangs with souped up cars, and bikers that literally could come from hell. Trying to stop these marauding loons are the overstretched police force who themselves ride in exceptionally fast cars. At the front of this story is Max Rockatansky, a good honest cop trying to hold his own against the chaotic world that is forming around him. After his best friend is burned and left for dead he decides enough is enough and thinks about retiring from the service, but whilst on a vacation with his wife and child things go decidedly bad and Max becomes an avenging force of fury with devastating affect. When evaluating this film I feel it really needs to be put into perspective just how brilliant a job director George Miller did with next to no cash to work with, in fact Miller edited the film in his own bedroom just to emphasise the low-fi nature of the beast. The costumes are excellent, the cast are terrific, with Mel Gibson as Max particularly impressive, and here we have villains to truly fit the word villainous, but it's the stunts and chase sequences that makes this film a rich rewarding experience. The opening ten minutes alone are pure adrenalin pumping genius, but the film as a whole delivers a crash bang wallop punch that has often been imitated since its release, but rarely bettered, and although the heart of the film is a simple revenge story, it grabs your attention and delivers right to the corking finale, 8/10. Footnote: Region 2 Users should note that the bargain bucket Mad Max Trilogy flip pack set still contains the foolishly dubbed version of this film, incredibly stupid move from the American distributors.
Though I had only seen the previous installment, 'Mad Max Beyond Thunderdome', which I enjoyed whilst a great many people didn't, with the present sequel earning ten (!?) Oscar nominations, I wanted to catch up on things before seeing the new film at the Cineplex. I was very pleased with this early film in the post-apocalyptic movie category, and can see how and why both it and star Mel Gibson became so successful. Other than Kenneth Anger's experimental film, 'Scorpio Rising', I have never seen a work that so fetishes both cars and the ritual of dressing, either for driving or for war. It's very well directed and suspenseful for a first-timer in Miller, and I'm so glad he's still helming the films of the series 36 years later! All that one has to do to see How To and How Not To Continue a Fine Franchise is compare how both George Miller and George Lucas have done this century. It's sad that they were so short on funds that only Gibson could be fitted with real leather in the film--I think I can rightly assume that money isn't a problem anymore...
Who'd have thought we'd still be talking about a $350,000 film, 40 years after it was made? And who'd have thought it would be in a positive way. _Mad Max_ was one of the most formative films ever released, and not only is **one of** my favourite films, but is chief inspiration to my **actual** favourite film of all time, Neil Marshall's _Doomsday_. _Final rating:★★★★½ - Ridiculously strong appeal. I can’t stop thinking about it._
For whatever reason, never had seen the original and doesn't disappoint, some good action and gut wrenching scenes defying the rules of killing pets and kids, Mel Gibson is quite good in the role and look forward to checking out the sequels. **3.75/5**
It's not often that these dystopian scenarios ever leave the USA, so it's interesting that this one introduces us to the massive expanse of the Australian desert and to the young policeman "Max" (Mel Gibson). His job is pretty thankless - and perilous. He must patrol the remote countryside trying to protect what is left of civilisation from marauding motor cycle gangs who are constantly on the search for fuel - for themselves and for their machines. Things start to boil over when ruthless biker "Toe-cutter" (Hugh Keays-Byrne) avenges the death of his leader by killing just about everyone he can find - including the wife and child of the now incandescent "Max". What now ensues is a grittily told, quickly paced, tale of violence and vengeance with the erstwhile law officer abandoning any sense of decency he had clung onto and going all out to destroy his enemy. This film ought to be remembered for what it spawned, rather than what it offers by itself. Most of the acting is mediocre, as is the dialogue and after a while the brutality started, for me anyway, to lose potency and become almost comedic. This is certainly ninety minutes of cinema history, but it's really not very good.
The action is stupendous, but the rest is a bit of a drag. When the attackers be attacking it's all great to watch, like I got a lot of entertainment from seeing Toecutter's gang do their thing; and vice-versa with the MFP, really. However, the film kinda goes through peaks and troughs in switching from the action to the more mundane and the latter parts did bore me a little. The characters of Max and Jessie do act noticeably dumb in bits too, I don't necessarily mind that as the whole movie is silly and all those onscreen chew the heck out of the scenery. But it does get a bit annoying to watch, I can't lie. I do like how much extra the characters act in general, though. The whole 90 minutes of 'Mad Max' are over the top completely, but it does fit for the majority. I just wanted wall-to-wall overexuberant action, rather than that sprinkled amongst some fairly dull attempted storytelling. Still, I am looking forward to viewing the sequels/spin-offs, particularly those modern-day releases.
Sergeant Todd is a veteran soldier for an elite group of the armed forces. After being defeated by a new breed of genetically engineered soldiers, he is dumped on a waste planet and left for dead. He soon interacts with a group of crash survivors who lead out a peaceful existence. The peace is broken as the new soldiers land on the planet to eliminate the colony, which Sergeant Todd must defend.
When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
Alex Corvis, a man wrongly executed for the murder of his girlfriend, returns from the dead and sets out to find the real killer.
Tsui escapes from a super soldier project and plans to lead a peaceful life. However, when his former comrades go on a violent crime spree, he takes it upon himself to end their reign of terror.
Tang Lung arrives in Rome to help his cousins in the restaurant business. They are being pressured to sell their property to the syndicate, who will stop at nothing to get what they want. When Tang arrives he poses a new threat to the syndicate, and they are unable to defeat him. The syndicate boss hires the best Japanese and European martial artists to fight Tang, but he easily finishes them off.
Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.
In a dystopian future, Dredd, the most famous judge (a cop with instant field judiciary powers) is convicted for a crime he did not commit while his murderous counterpart escapes.
On behalf of "oppressed bugs everywhere," an inventive ant named Flik hires a troupe of warrior bugs to defend his bustling colony from a horde of freeloading grasshoppers led by the evil-minded Hopper.
Exploring the further adventures of Carmen and Juni Cortez, who have now joined the family spy business as Level 2 OSS agents. Their new mission is to save the world from a mad scientist living on a volcanic island populated by an imaginative menagerie of creatures. On this bizarre island, none of the Cortez's gadgets work and they must rely on their wits-and each other-to survive and save the day.
Exactly one year after young rock guitarist Eric Draven and his fiancée are brutally killed by a ruthless gang of criminals, Draven, watched over by a hypnotic crow, returns from the grave to exact revenge.
When the Valley of Peace is threatened, lazy Po the panda discovers his destiny as the "chosen one" and trains to become a kung fu hero, but transforming the unsleek slacker into a brave warrior won't be easy. It's up to Master Shifu and the Furious Five - Tigress, Crane, Mantis, Viper and Monkey - to give it a try.