Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
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Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
Really poor sequel that has outlandish action scenes and lame jokes. If there's such a thing as a movie that epitomizes the early 2000s, this is it. Maybe it's my older age, but the T&A aspect holds little weight anymore. **1.75/5**
Charlie’s Angels Full Throttle fully accelerates whilst narratively stuck in second gear. Can I order a McG sandwich please? Huh? You have no filling? Sure, I’ll just take the overly stylised sauce. My personal adoration for this sequel’s predecessor is one that cannot be described fully without tackling the realms of lunacy and diminishing my own critical insight. It’s just a special piece of camp nostalgia for me, even if its construction is more amateurish than Diaz’ dance moves. Interestingly, this continuation was also on repeat as I galloped around the room to the soundtrack of The Prodigy and The Chemical Brothers, witnessing physically impossible aerobatic stunts. However, after all these years, it’s time to succumb to the realisation that Full Throttle is a bad film. Much like the first feature, its plot is a secondary product to the outlandish femme fatale antics. This time the angels must secure two H.A.L.O. rings which probably has something to do with monetisation and greed. Don’t ask me! For I honestly do not know. A stationery Barrymore sliding fully under a low table without the use of her arms had me entranced. Liu leaping sixty feet into the air by just jumping off a table had me hypnotised. And of course, Diaz bopping to MC Hammer’s “U Can’t Touch This” had me salivating. These, including the last point (have you tried side stepping that rapidly!?), are physically impossible to perform. The wired stunts and choreography are so exaggerated that it becomes laughably terrible, juxtaposing the semi-realistic narrative that McG is attempting to convey. Driving off a dam whilst trying to fly into a helicopter and take off (all in mid-air by the way...) before it crashes? Sure. Why not. Performing motocross stunts whilst upside down and shooting the angels? Eh. I’ll let it slide. Using a lace cape as a squirrel suit, throwing a bomb into a film premiere and perfectly landing in a car whilst being pursed by the angels who are hanging onto illuminated wires? Ummm. I guess. Being tossed through a shop window, like a rag doll, and walking it off before getting changed for the premiere? Now wait just a minute! Heightened stunts and ‘Matrix’-styled slow motion is all fine and dandy, but I need an ounce of realism in order to feel threatened by the danger on screen. The angels are invulnerable to everything, making the entire ordeal worthless. Yes, using a flamethrower to “Firestarter” is bonafide brilliance and shaped me to be the man that I am today. Yet the random action set pieces (to which there are loads!) cannot justify the narrative’s direction. Again, frustrating considering the onscreen chemistry of Diaz, Barrymore and Liu. The one and only Demi Moore is used for an underdeveloped plot twist, as she suggestively licks Diaz’ face. Oh, and Bernie Mac replaced Murray. A fine replacement, but again, under-utilised. Let’s not even discuss Theroux’s insulting Irish accent. The technical aspects, especially the garish green screen and floaty human CGI, unintentionally adds characteristics to the film in general, yet still executed terribly. And the callback “humour”, mostly consisting of the “creepy thin man” and the angels’ relationship, were cringeworthy at best. Although, the ongoing innuendos between Alex and her father did make me chuckle continuously. Is it enough to substantiate a sequel that showcases the apparent curse of “more is better”? Absolutely not. Whilst the heart of Charlie’s Angels resides within, its discombobulated exterior diminished most of the heavenly fun to be had.
Not as good as the 1st. It was still pretty funny. The sexy trio's fight scenes were a little better in this one.
If you had a whole collection of secret information why would you keep it all in one place and put it all on something as easily stolen as a ring? That's what's happened here only there are two rings and they contain all the details of the folks on the witness protection scheme. When they both fall into dangerously unscrupulous hands, and the body count starts to mount up, it falls to the lithe "Natalie" (Cameron Diaz), "Alex" (Lucy Liu) and "Dylan" (Drew Barrymore) to fly into action and save the day. Bill Murray decided to sit this one out, but luckily there's a "Jimmy Bosley" (Bernie Mac) there to keep them all co-ordinated and to hone in on their prime suspect. She's a former angel, herself, only this time "Madison" (Demi Moore) is not in a forgiving vein. It's all fairly standard action fayre that's largely the same as the last one from three years ago. There's a decent dynamic between the three women but the slo-motion action scenes, pyrotechnics and pretty banal dialogue don't really do it any favours as it lumbers along predictably. There's the usual soupçon of glittering faces to top it up, and a small slice of menace from both Robert Patrick and from the star of the film for me - Crispin Glover as the "Thin Man" or maybe that's "Thin Men". I still miss Kate Duncan's "Sabrina" and the more investigative nature of these mysteries. This is all just too blandly kick-ass and attitudinal for me providing nothing really new. It passes the time easily enough but you'll never remember it.
Smooth super spy Lee Neville faces off against nefarious criminal mastermind Blohard and several of his lethal goons.
A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Ziest (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Ziest.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory - which could be just what they want.
400 years into the future, disease has wiped out the majority of the world's population, except one walled city, Bregna, ruled by a congress of scientists. When Æon Flux, the top operative in the underground 'Monican' rebellion, is sent on a mission to kill a government leader, she uncovers a world of secrets.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
On his wedding night Mar Tien Lang, a prosperous businessman and instructor of 'The Magic Kick' technique, is attacked in his villa by the vilainous Fang Kang.