Presence 2025 - Movies (Jan 23rd)
Kaathal - The Core 2024 - Movies (Jan 23rd)
Midas Man 2024 - Movies (Jan 23rd)
Flight Risk 2025 - Movies (Jan 23rd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Juror #2 2024 - Movies (Jan 22nd)
Never Look Away 2024 - Movies (Jan 22nd)
River of Blood 2024 - Movies (Jan 22nd)
Somm Cup of Salvation 2024 - Movies (Jan 22nd)
Shoot Again The Resurgence of Pinball 2024 - Movies (Jan 22nd)
Minor Leaguer 2024 - Movies (Jan 22nd)
Into the Deep 2025 - Movies (Jan 22nd)
Werewolves 2024 - Movies (Jan 22nd)
The Problem with People 2024 - Movies (Jan 22nd)
A Sprinkle of Christmas 2024 - Movies (Jan 22nd)
Heretic 2024 - Movies (Jan 21st)
Elevation 2024 - Movies (Jan 21st)
Curious Caterer Foiled Plans 2024 - Movies (Jan 21st)
All In with Chris Hayes - (Jan 24th)
Law and Order- Special Victims Unit - (Jan 24th)
Law And Order - (Jan 24th)
The Traitors - (Jan 24th)
Building Outside the Lines - (Jan 24th)
Bookie - (Jan 24th)
Severance - (Jan 24th)
The Sex Lives of College Girls - (Jan 24th)
The Pitt - (Jan 24th)
The ReidOut with Joy Reid - (Jan 24th)
Dimension 20 - (Jan 24th)
The Beat with Ari Melber - (Jan 24th)
The Last American Vagabond - (Jan 24th)
First Dates Ireland - (Jan 24th)
Tyler Perrys Sistas - (Jan 24th)
The Bold and the Beautiful - (Jan 24th)
Lets Make a Deal - (Jan 24th)
The Young and the Restless - (Jan 24th)
Deadline- White House - (Jan 23rd)
Malta- The Jewel of the Mediterranean - (Jan 23rd)
Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
There's an uncompromising clarity to Blu-ray audio and video that really does bring the splendour of grand opera right into the living room. So it's all the more frustrating to get a compromised production as the final product. Jules Massenet's 1894 tragedy about a sex goddess humbled by an insistent Cenobite monk isn't produced very often, because of a demanding lead role and some difficult staging issues. But the music is gorgeous from beginning to end. When you have a great diva at centre stage, the three acts go by in a flash.