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RTO officer Om Prakash strikes a golden opportunity to meet his icon, Vijay Kumar. Bhut when his love gets spurned by the superstar, a clash of egos ensues.
Laurent is a failed and lazy painter. When Camille, his childhood friend, invites him to his home to get back in touch, Laurent meets Thérèse, his wife, whom he falls under the spell. The man pretexts wanting to make a portrait of his friend in order to go to the couple's house every day. Thus, Laurent and Thérèse become lovers. Their love seems to grow, but it is impossible for them to fully live their relationship. They consider excluding Camille from their lives...
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’
Blanca, an 18-year-old foster home resident, is the key witness in a scandal involving kids, politicians and rich men taking part in sex parties. Yet, the more questions are asked, the less clear it becomes what Blanca’s role in the scandal exactly is.
Brazil, 1988. An unemployed tractor driver hijacks VASP flight 375 and orders commander Murilo to crash the plane on the Planalto Palace to kill the president - whom he considers guilty for the country's devastating economic crisis.
One man decides to wage war against a gang of teenage punks besieging an affluent California community. Based on a true incident.
Fort St. David, Cuddalore, southern India, 1748. While colonial empires battle to seize an enormous territory, rich in spices and precious metals beyond the wildest dreams, and try to gain the favor of the local kings, Robert Clive (1725-1774), a frustrated but talented clerk who works for the East Indian Company and struggles to earn his fortune, makes a bold decision that will change his life forever.
The adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
Celeste is a renowned opera diva who retired early for the man she loved to live on a crumbling and beautiful estate in the heart of a rainforest in Far North Queensland. Ten years after the tragic death of her husband, Mateos, in a boating accident, Celeste is set to return to the stage for her final performance. Her husband’s son Jack, still haunted by the past, arrives amidst the preparations for the performance and finds Celeste is as he remembered – beautiful, intoxicating and dangerous. Celeste wants Jack to stay at the estate, but needs him to perform one last request.
Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.
The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
