The Little Old Lady Who Was Not Afraid of Anything

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

A mysterious drifter and his young friend must save a frightened, forgetful old lady from a memory eating ghost.

In a world polluted by atomic radiation, five survivors find shelter in an underground bunker. The sudden discovery of a rare and miraculous medicine will become a source of quarrel within the group.

A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.

The family man farmer John Rollins is stressed with his financial situation: the crows and the lack of irrigation are destroying his crop of corn; the bank is near closure of his mortgage; he does not have credit to fix the water pump or to buy seeds; and his marriage is in crisis and his wife Mary is giving too much attention to her friend Tommy. When John accidentally discovers a hidden compartment in the barn, he finds a creepy scarecrow but his son Michael makes him promise to destroy it. However, his neighbor Jude Weatherby visits him, gives a six-pack of beer to the abstemious John and convinces him to put the scarecrow in the cornfield. Out of the blue, the life of John changes: the crows die; the pump works again irrigating the land; and the banker responsible for the closure has an accident and dies. However, he feels that his land is possessed by something evil that is threatening his beloved family.

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.

Memories split in the space.

A repressed gay teen transforms into a beast after being bitten by a hunky classmate.

Two estranged siblings, a botanist and a magician, come together to try and raise their mother’s body from the dead.