The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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The Cook Up with Adam Liaw - (Mar 26th)
Love and Hip Hop Atlanta - (Mar 26th)
Beyond the Gates - (Mar 26th)
Highway Thru Hell - (Mar 26th)
Caught - (Mar 26th)
Gannibal - (Mar 26th)
Million Dollar Secret - (Mar 26th)
Hyper Knife - (Mar 26th)
Frontline - (Mar 26th)
Dark Side of the Ring - (Mar 26th)
The Joe Schmo Show - (Mar 26th)
House of Knives - (Mar 26th)
Renovation Aloha - (Mar 26th)
The Last Word with Lawrence ODonnell - (Mar 26th)
Hard Quiz - (Mar 26th)
Night Court - (Mar 26th)
The Irrational - (Mar 26th)
The Rookie - (Mar 26th)
WWE NXT - (Mar 26th)
Will Trent - (Mar 26th)
***Well done mid-80's teen/horror with a rockin' soundtrack*** "Trick or Treat" (1986) is a coming-of-age horror flick that mixes elements of "Christine" (1983), "Carrie" (1976) and the first two Freddy Krueger movies, but it strangely never attained the popularity of those films, which explains why there wasn’t a sequel. Like "Christine" and "Carrie," the plot revolves around a semi-outcast in high school being persecuted by the popular crowd and the compulsion to get revenge. In this case, metalhead Eddie Weinbauer (Marc Price) enlists the aid of a dead satanic rock star, Sammi Curr, through the backmasking on a special edition of one of Curr's albums. Gene Simmons of KISS appears as a DJ for a few minutes and Ozzy Osbourne has two ironic scenes as a conservative preacher denouncing rock/metal for a total of a minute. Lisa Orgolini (Leslie) and Elise Richards (Genie) are both beautiful and stand out as the two main girls in the story, although they shoulda done more with both. The songs on the soundtrack are by Fastway and are reminiscent of mid-80's bands like Motley Crue, AC/DC, KISS and the pop-side of Priest. They're simple-yet-catchy hair metal ditties with the corresponding hanging chords and anthemic choruses. Fastway’s fourth album TRICK OR TREAT featured these songs and was released just after the movie. Here’s a little history on it: singer David King decided to leave the band after the failure of their third album, which was very different from the first two, being keyboard-drenched AOR. Then the opportunity to do the soundtrack for "Trick or Treat" was presented to guitarist/main-man Fast Eddie Clarke in 1985 (he was the original guitarist for Motorhead). Eddie promptly contacted David King to give him the news and asked if he'd do this album before leaving the band and he agreed. Somehow the catchy simplistic style of this album worked and it unexpectedly became Fastway’s best-selling release. Unfortunately, they were basically screwed over and didn't reap much financial reward so King was intent on leaving for other musical pastures. Eddie's new version(s) of Fastway never recovered their initial momentum. What a shame. They coulda been a contenda if King hadn’t bailed. BOTTOM LINE: While "Trick or Treat" may not technically be as good as "Christine" or "Carrie," it's actually better in some ways and is more rewatchable. The villain, the quasi-resurrected Sammi Curr, is great; he looks and behaves like a mixture of Gene Simmons, Paul Stanley, Blackie Lawless, Nikki Sixx and Dee Snyder (I’d include KD, but he basically just ripped off Gene). Too bad the movie didn't become a franchise because Sammi Curr has the ee-vil charisma to give Freddy Krueger a run for his money. While the set-up of the story is compelling, the second half fumbles a bit and meanders, but this is made up by the rockin' mid-80's soundtrack, the quality protagonist, the kick-axx villain, the two girls and the cameos by Gene & Ozzy. The film runs 1 hour, 38 minutes, and was shot in Wilmington, NC. GRADE: B+/A-
Casper is a kind young ghost who peacefully haunts a mansion in Maine. When specialist James Harvey arrives to communicate with Casper and his fellow spirits, he brings along his teenage daughter, Kat. Casper quickly falls in love with Kat, but their budding relationship is complicated not only by his transparent state, but also by his troublemaking apparition uncles and their mischievous antics.
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornée.
About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.
A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Eight London couples try to deal with their relationships in different ways. Their tryst with love makes them discover how complicated relationships can be.
After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".
When a Halloween prank goes wrong, it unleashes a creature that will hunt each of the participants down and kill them, unless they can figure out how to transfer the curse to someone else.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.