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***Kinetic, “hip” street-racing flick with Vin Diesel and Paul Walker*** A newbie to Los Angeles (Paul Walker) falls for a café host (Jordana Brewster) while trying to join a street-racing gang led by her brother, Dom Toretto (Vin Diesel). Meanwhile the LAPD are trying to apprehend a radical group on the highways that targets semis and their valuable cargo. Michelle Rodriguez is on hand as Dom’s babe while Matt Schulze plays an angry member of his gang. “The Fast and the Furious” (2001) was the beginning of the popular street-racing franchise that currently has eight movies with two more planned. The over-the-top action is akin to “The Road Warrior” (1981) while the tone mixes the comic book melodrama of “The Warriors” (1979) and “Torque” (2004) with the more serious air of “Grand Canyon” (1991) and “Training Day” (2001). (Yes, I realize “Torque” and “Training Day” debuted after this one; I’m just providing comparative references). Speaking of the tone, there’s no goofiness and the actors take everything dead seriously, which is good in my book, but the flick has several unintentional laughs because, while quasi-realistic, the thrills & posing are so exaggerated. Brewster and Rodriguez are effective in the feminine department, but neither do much for me personally. There are a few good-looking ladies in the periphery, however. The soundtrack contains several dynamic urban numbers, including the excellent “Deep Enough” by Live. The movie runs 1 hour, 46 minutes and was shot in Los Angeles & nearby areas (San Bernardino, Hemet, Malibu, Westminster, Beverly Hills, etc.). GRADE: B
I can’t call this film a legend. The film, which gave a big push in such a concept as street racing and tuning cars. He raised interest in illegal races on the night streets, gave life to such a renowned game like Need for Speed: Underground, which in turn gained countless fans. And maybe the storyline is really simple and without frills, but its implementation is worthy of deep respect.
Point Break with cars! Sure it is a little cheesy but in the best way. Fun cast and fun premise. Diesel, Walker, Rodriguez, and Brewster deliver a great movie. **Once again, Point Break with cars. Do you need more?**
To be honest, the thin plot doesn't really matter here. This is just a good excuse for some fit people who look great to race souped-up production cars at break-neck speed around Los Angeles. Eye-candy Paul Walker ("Brian") and hardened "Dom" (Vin Diesel) look like they are truly pumped up for their roles and given neither have much by the way of dialogue to remember, they just get on with it. The soundtrack is irritating but the production and stunt work match the high octane pace of the film and I quite enjoyed it.
Wait, what? There is a heck of a lot left hanging here. Almost feels like they started filming without a finished screen play and then stopped when the pages ran out, threw in a race at the end, and then left it there. The Truck jacking story line had no real resolution. One bad heist and it sort of ended there. The racing thing had only a minor resolution.... ... and then there were no real repercussions for anyone's actions and that is where the movie ends. Only one arc was finished and that is it. And so far, no, three movies in and they never really wrapped anything up.
After Port Royal is attacked and pillaged by a mysterious pirate crew, capturing the governor's daughter Elizabeth Swann in the process, William Turner asks free-willing pirate Jack Sparrow to help him locate the crew's ship—The Black Pearl—so that he can rescue the woman he loves.
Captain Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.