Georgie Fame & The Blues Flames Live at Théaterhaus Stuttgart

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Musical performers put on a show in a pawn shop to convince a man to give them the money they need to buy back their instruments.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Two musical stars from the golden age of Hollywood get a second chance at rekindling their love in the modern world.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Don Letts's hilarious and colourful profile of the godfather of funk, whose 50-year career has defined the genre. From his 1950s days running a doo-wop group out of the back of his barber store, through the madness of the monster Parliament/Funkadelic machine of the 70s to his late 90s hip-hop collaborations with Dre and Snoop, George Clinton has inspired generations of imitators. Contributors include Outkast's Andre 3000 and Macy Gray.

World-famous jazz club Ronnie Scott’s hosts a tribute to Burt Bacharach - a songwriter, producer and pianist who us widely seen as one of the most important songwriters of the 20th century. Clive Myrie is at the show, which features brand new jazz-inspired arrangements of some of Burt Bacharach’s best-loved music by the club’s artistic director James Pearson. The setlist spans Burt Bacharach’s epic career and includes The Look of Love, Alfie, Wives and Lovers, Do You Know the Way to San Jose and That’s What Friends Are For.

Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.