Den girige

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

A proper local legend. Married five times. Mother. Lover. Aunt. Friend. Alvita will tell her life story to anyone in the pub – there’s no shame in her game. The question is: are you ready to hear it? Because this woman’s got the gift of the gab: she can rewrite mistakes into triumphs, turn pain into parables, and her love life’s an epic poem. They call her The Wife of Willesden... A play that celebrates the human knack for telling elaborate tales, especially about our own lives. Zadie Smith transports Chaucer’s The Wife of Bath to 21st Century North West London, directed by Kiln Theatre Artistic Director Indhu Rubasingh. A production from Kiln Theatre

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

In 1950s America, protests for racial equality erupt in the face of voter suppression. On Broadway, Wiletta Mayer, a talented black actress, begins rehearsals for a new play about racism – written and directed by two white men. When Wiletta finds that her arguments to tell the truth of the story are dismissed, she decides to take action. First staged over 60 years ago, Trouble in Mind is widely considered the masterpiece of actress and playwright Alice Childress - a wry and radical satire of racism in theatre.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

A production of Shakespeare's "As You Like It" filmed for television. After the overthrowing of the old duke by his tyrannical brother, the duke's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counselling her clumsy suitor Orlando in the art of wooing.

First staged at Lyric Hammersmith in 2018 and freshly updated for 2020, Ned Bennett directs this wild and inventive production and explores what it is like to come from a small town and arrive in a big city today. With a host of colourful characters, irreverent jokes, talking animals and popular songs this is Dick Whittington as never seen before.

The innovative interweaving of romance and math was conceived. The 2008 Olivier Award winner for Best New Play, it has toured the world and was recently performed in New York as part of the Lincoln Center Festival.

Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.