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Anyone remember the little tune that went with the Edward Woodward television series? Well you won't hear it here in this rather procedural vehicle for Denzel Washington. His usually meticulous planning is compromised by a young lad with a rifle. This leaves "McCall" needing the care of a doctor "Enzo" (Remo Girone) in a small Sicilian town that is about to become the centre of the venal ambitions of "Vincent" (Andrea Scarduzio) and his henchman younger brother "Marco" (Andrea Dodero) who uses his team of thugs to extort from the local businesses. It's only a matter of time before heads clash and, well - you can guess the rest of this actually rather brutally predictable drama. Dakota Fanning appears now and again in a rather unnecessary sub-plot involving the CIA and some Syrian narcotics smugglers that is really undercooked - but for the most part this is really just Denzel being, well, Denzel on his quest to save his new-found friends from the grip of the unscrupulous Camorra. It's overlong for what it is, and I found Washington's performance to be rather sluggish throughout before a denouement that came across as rather simplistically rushed. It's fine, but forgettable.
The new Equalizer film franchise is devoid of the moderation, charm and gentlemanly grace of the original television series, with Edward Woodward. Instead, its mired in gratuitous, humiliating, dehumanising violence, with a key character who feels more like the Terminator, than an assassin with a conscience. In short its ugly stuff. I managed about 15 minutes of this, before calling it a day. I will say too, for me, this kind of unnecessarily violent nonsense, is part of whats wrong with the world today. In summary, brutally violent, ugly and inaccessible. I'll pass.
Another solid entry in this franchise. Nothing fantastic and not as good as the first, but still entertaining thanks to the great Denzel Washington. Also nice seeing the reunion with Dakota Fanning and cool twist about her character at the end. The only downside is it doesn't have the visual pazazz compared with the first film and is kind of routine in its direction by Antoine Fuqua who is normally a solid director. **3.5/5** And as a side, not sure the last time I've seen a franchise so consistent at the box office with all three movies making ~$180 million worldwide and ~$35 million on opening weekends domestically.
Equalizer and Equalizer 2 were great action movies and this 3rd Equalizer doesn't disappoint either. Denzel as always rocks with his character. If you liked first and second part, you will like this one too. Equalizer, Taken and Extraction series are my favorite action movies.
A lot of people shit on this film. They are all wrong. E1, he needed permission to kill. He got that permission. E2, I don't remember. E3...he still kills. Story is ridiculous! No reason for any of it...except Denzel. Gotta be neat. Gotta be nice. Gotta kill. He does it all. Denzel is the best.
cheesely cheesy, American hero saves other people from other people's bad people
Yesterday evening me and the kids, well the two boys at least, sat down to watch The Equalizer 3 which has been sitting on my to-watch shelf for a while. I have quite liked the previous two instalments and this was was a quite good movie as well. It starts of with a fairly brutal, The Equalizer style, slaying of a bunch of bad guys but then McCall gets shot in the back by a kid and goes into a bit of a funk. The entire movie slows down quite a bit after that while McCall goes around moping. It was actually a bit boring and I could have been without that. Still, McCall is McCall and the movie does pick up speed again after a while. There are some quite nice action scenes as we approach the ending and the way McCall disposes of the bad guys towards the end is quite brutal. When I saw that the movie had an R-rating in the states I thought, yeah right this is another one of these movies where they show a boob or two or use adult language and then the easily offended whiners go all must-be-restricted-bullshit over it but I guess it was because of the brutal slayings after all. Still, in France it got a restricted from 12 years and below which is far from an R-rating and more reasonable. Guess we got less whining asshats here. Overall a good movie though. Technically, the filming and the acting was very good. If not for the boring parts for almost half the movie it might have gotten a 5 out of 5 from me.
A kick-ass third installment! The story depicted in 'The Equalizer 3' is surprisingly straightforward, it's literally just Robert McCall reactively killing bad guys for almost two hours... so what's not to enjoy?! Denzel Washington in the lead role is as ace as he is in the prior flicks, I am yet to watch a less than good Denzel picture; 15 films deep into his filmography, what an actor! I don't recall the previous two movies from this trilogy featuring as many brutal deaths as this one does, which is great. I could be misrembering but, whatever, I really enjoyed seeing McCall do his thing in this one. The music is also noteworthy, while the Italian setting is splendidly portrayed - terrific choice of location! The support cast are inferior to Washington, naturally, but still solid, cool to see Dakota Fanning reunite onscreen with the aforementioned. End of the trilogy it seems, though there are murmurs on potentially more films in some sorta way - hardly unexpected. As for these three, 2 is my favourite followed by this and then 1. Antoine Fuqua (also yet to see a less than very good movie from him, from 7 watched) and Washington are evidently a top notch pairing, either way.
A one-man army comes to the rescue of the United States when a spy attempts an invasion.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
In 1983 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.
FBI agent Neville Flynn boards a flight from Honolulu, Hawaii to Los Angeles, escorting a key witness to testify against a mob boss at an upcoming trial. An on-board assassin releases a crate full of hundreds of deadly venomous snakes in an attempt to eliminate the witness. Flynn and a host of frightened passengers and crew must band together to survive the slithery threat.