Mulheres: Uma Outra História

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

From "SCTV" and "Home Alone" to "Best in Show" and "Schitt’s Creek", Catherine O’Hara collaborates with fellow performers throughout her legendary career to take comedy to new heights.

Pepedrilo and his peculiar connection with nature are embodied by the care and protection of a crocodile sanctuary, whose stability is put in danger day by day by the threat of men.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

A short documentary focusing on the surfer culture and tourism in Nicaragua.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.