War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This is one of the finest sequels ever, in that it's both of comparable quality with the original, yet is fundamentally different from it at the same time. Marvelous stuff, with aspects copied thousands of times over the past two generations, with no end in sight. This and 'Salo, or the 120 Days of Sodom', from about the same time frame, would make one of the best double-bills ever on the evils of consumerism gone rampant...
Romero’s imaginative and thrilling zombie sequel A decade after the excellent “Night of the Living Dead” (1968), writer/director George Romero offers up this exceptional sequel. The plague of reanimated corpses with a hunger for warm flesh is now global and society is increasingly breaking down. A television exec (Gaylen Ross), her helicopter-reporter beau (David Emge) and two SWAT officers (Ken Foree and Scott Reiniger) take refuge in a suburban mall. Unfortunately for them, a veritable army of biker-raiders wants the mall for their own. One of the main reasons this film is so iconic is because Romero seriously considered what it would be like after a ‘zombie apocalypse’ and came up with an inspired story. While the bleakness of the situation is addressed there’s also a sense of adventurous freedom; for instance, the protagonists having an entire mall to themselves. The movie’s disturbing, ghastly and gory, but also action-packed and sometimes humorous. The zombies make for good bullet fodder while, at the same time, satirizing consumer society. The creative score is varied and I’m sure it was cutting edge at the time, but it’s very dated today, although you’ll probably find yourself acclimating to it. The no-name cast is convincing with the towering Foree standing out while Emge comes across as a poor man’s Donald Sutherland. The movie runs 2 hours, 7 minutes with the longer version running 2 hours, 19 minutes (the one I watched). It was shot in Monroeville, Pennsylvania, and nearby Pittsburgh. GRADE: A-
Been a while since I last watched this one, but with the new 4K UHD out, decided to give it another watch going with the Extended Cut. Still very well made with some great zombie effects and really liked the characters, Peter (Ken Foree), especially. I'm not a big fan of the zombie horror genre but this is one of the exceptions. **4.0/5**
**This must be some kind of joke, right?** Firstly, allow me to clarify: I am not a fan of “zombie” films, although I understand very well the interest that, in recent years, there has been for this material. I totally respect those who enjoy it. But let's be honest: a film has to have some aesthetic quality and some good taste to become “digestible”. And, well, I just finished watching this film, and I honestly can't understand how it has survived without ending up in the vault of oblivion. There are incredibly better films that have been forgotten as the years pass, but a certain type of crap, purely and simply because it's bad, lives on. The plot is essentially based on a moment of chaos in which the USA (the rest of the world does not exist) is taken over by zombies and no one knows what to do or where to go. Everyone thinks of themselves, saves their own skin and that's it. In the meantime, the usual opportunists take advantage of the situation as they see fit, and a small group of “surviving heroes” look for somewhere to take shelter. It's the plot of this film and a dozen other disaster films (zombies, volcanoes, wars, earthquakes, alien invasions, you name it). The level of originality is below zero, and the situations are all predictable and highly cliché. We know who is going to die and who is going to be saved by a whisker, and the fact that the film starts without any kind of introduction is just confusing and a little stupid. Directed by George A. Romero, a man who must have suffered from some bizarre sexual fetish with dead people and zombies (look at his filmography!), the film is absolutely trash and could compete in poor quality and bad taste with all of Ed's films Wood and with the historical rigor of Ridley Scott's period films. I lost count of the script problems, continuity errors and gross editing errors. The cinematography is ugly, there is a blatant exaggeration of the sets and the zombies' makeup is so obviously fake that they look like what we did at fifteen in school plays. And we'd better not even talk about the cast: I have doubts whether those people were actors.
A young kid infects a girl and then the two start attacking, biting and infecting everybody else.
A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.
Before horror enthusiast Max can break things off with his girlfriend Evelyn she dies in a bus accident. In time, Max meets another woman only to have Evelyn resurface as a zombie ready to resume their relationship.
Contract killer Frank Zimosa has been hired for a ridiculously lucrative mission by the rich and powerful Jorge Mistrandia. The objective: kill a couple of people hiding in one of his European hotels. What would look like one of the simplest jobs Frank has ever had is about to turn into a living nightmare. He will soon realize he's nothing more than prey for Mistrandia and his army of mutated henchmen that have hiding in the hotel along with an ancient and unstoppable horror.
A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction.
Famed monster slayer Gabriel Van Helsing is dispatched to Transylvania to assist the last of the Valerious bloodline in defeating Count Dracula. Anna Valerious reveals that Dracula has formed an unholy alliance with Dr. Frankenstein's monster and is hell-bent on exacting a centuries-old curse on her family.
After Malukan immigrants engage in a string of corpse mutilations at various New York City hospitals, a doctor and a morgue assistant travel to the Maluku Islands to investigate.
On the Caribbean island of Matul, white doctor David Menard is trying to stem the tide of cannibal zombies that are returning from the dead. Arriving on the island are Anne and reporter Peter West who are looking for Anne's missing father. The pair soon find themselves under attack from the zombies.
Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.