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**The best horror film of the eighties** This is a gem, it really is. Alternately amusing and horrific - John Landis plays our emotions like a fiddle here. He is pulling all the strings and we are uncertain as to which string he is going to pull next. From the eerie Yorkshire countryside of the opening scenes through David's _awful_ nightmares in hospital to amusing zombie chit chat and finally the climactic slaughter in London - this film never lets up. How many films will you find Kermit the frog sharing a scene with throat slicing, machine gun wielding mutants dressed as Nazis? - Potential Kermode
"Beware the moon, lads." Still frightening and funny 38 years later. The transformation scene was absolutely incredible, but also really painful. You literally hear every bone crack in his body, and all his organs reshaping and shifting. No other werewolf movie has topped that scene and never will. The song Bad Moon Rising is the icing on the cake. Rick Baker make-up work is masterful. He's the real beast here.
An 80s horror classic! The storyline was well written, the special effects were amazing, and Jenny Agutter was so sexy! Although the ending was a bit rushed - just like the Wolfman, the main character dies, and the film ends, just like that! What's more messed up is they play an upbeat song during the end credits, right after we see David's lifeless body. The ending is my one critique. The rest of the movie was pretty good.
"David" (David Naughton) and his pal "Jack" (Griffin Dunne) are taking a walking tour of the UK when they decide to stop off at a pub. They are about as welcome as a dose of the clap and after a few minutes banter with the natives decide they are better off walking. The thing is, those inside know how dangerous it's about to be out there - and the boys soon find out. It's "David" who wakes up in hospital, replete with some mysterious scratch marks, nightmares and claiming that they were attacked by a brutal hound. Nobody really believes him, and anyway his attention is quickly diverted by nurse "Alex" (Jenny Agutter) whom he visits for dinner and never leaves. Luckily she works nights, else she might have discovered that her beau doesn't just stop at a bit of gentle biting. With corpses piling up around London, he is at a loss to know where he goes at night (waking up naked in the wolf enclosure at the zoo might be the final straw) but try as he might, he can't engage the authorities with his claims. Maybe only doctor "Hirsch" (John Woodvine) believes that something unusual is amiss - but can he help before "David" does himself or anyone else more damage! Increasingly more often naked as he goes along, Naughton joins in with the spirit of this enjoyable comedy horror with enthusiasm. I wonder what might happen now if a naked man in a bush even mentioned a boy's balloons!? It runs out of steam a little at the end, and Agutter's acting never really evolved much from the "Railway Children" 1970) but the visual effects work quite well especially when the full moon rises!
A trio of thrill-seeking go-go dancers kidnap a young girl and attempt to seduce an old rancher and his two sons out of their small fortune, but their scheme doesn't play out as intended.
The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.
When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
An impulsive middle schooler playing a game of hide-and-seek soon realizes something sinister is hunting him and his friends.
After picking up a strange but hypnotizing gem on the street during her walk back home, Hope, an everyday woman begins her striking transformation into a fearless creature. Intimidating at first, Hope ends up letting herself bask in the glory of her darkest desire.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
C.R. MacNamara is a managing director for Coca Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.