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The stereotypical sports movie about a character which goes from glory to hell and back to the glory again. The story is OK, but nothing new. Crowe performs well, but it is not one of his best movies. Giamatti is great, as always but Zellwegger is too cheesy in her role. Just an entertaining movie without any more intentions.
This is a fine boxing movie, one that relies more on the fighter’s personal story than endless scenes of boxing brutality. James Braddock’s final rise to the championship was an inspirational example during the lull in between the headline-grabbing reigns of Jack Dempsey and Joe Louis, when the heavyweight title changed hands several times. My only complaint with Ron Howard’s film was its portrayal of Max Baer, the champion Braddock defeated to win the title. For dramatic purposes, they changed his personality and made him into a bullying, vicious person, to the point of making a crude comment about Braddock’s wife. They needed a bad guy so they made one. I became interested in Max Baer when I was a teen and read a lot about him over the decades. He was fierce when he meant business in the ring, but mostly he was happy go liucky and didn’t love the fight game. As a side note, Max Baer’s son was also upset at seeing this man he didn’t recognize as his father (this was Max Baer Jr., Jethro Bodean from the Beverly Hillbillies). But what can you do — making changes is standard procedure for movies based on real events. They are often still worth watching. Just don’t use them for research for a school project, right?
Once Jim Braddock (Russell Crowe) breaks his hand in a fight, he discovers that his previously reasonably successful life in the ring has come to an end - and that puts him, wife “Mae” (Renée Zellweger) and their kids on skid row. He’s gone from making $8,000 from a fight to ferreting around the docks looking for work and taking state welfare funds so they can keep their children in their now electricity-free apartment. Then serendipity takes an hand as his former manager Joe Gould (Paul Giamatti) arranges a last-minute fight for him that might garner a meagre $250. It’s not a fight he’s expected to fare well in, but against the odds he triumphs and that enables Gould to engage with his former backer Jimmy Johnston (Bruce McGill) and that could, ultimately, lead to a world title tight fight against Max Baer (Craig Bierko). It’s a pretty savage indictment of urban American life in the 1930s and it also serves well at illustrating just how boxing so often proved the most appealing and available conduit for many an uneducated man to escape the poverty trap that would embrace not just him but his family, too. As to Braddock, his story also involves his close friend “Mike” (Paddy Considine) who embarks on a similar career path, only he has neither the skill nor the sense to make it work. For that, Braddock is especially fortunate to have Gould in his corner, a man who is less venal than many who would hire and fire at the drop of an hat. It’s the boxing action that really works well here, though, with Crowe putting heart and soul into a character that is designed to demonstrate fortitude and determination, sure, but also humanity and humility too. Giamatti steals the scenes, but Zellweger also contributes well as Ron Howard presents us with a poignant, violent and plausible story of a man motivated by family and friends who epitomised his own version of the pioneering spirit.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Rambam was born in Cordova, Spain in the 12th century. Known as the "Nesher Gadol" the "Great Eagle" - Rambam had the unique ability to see and perceive, with insight and clarity, the "big picture" - and man's relationship to the Divine. He was the first philosopher to unify - and reconcile the rational - with the reality of God. The legacy he left behind is astounding.
In a cinema, the day of the premiere of J'irai cracher sur vos tombes (adapted from his novel), Boris Vian has a heart attack. During his discomfort, he relives the major stages of his life: the meeting with Raymond Queneau, the nights of Saint-Germain-des-Prés, the scandal of J'irai cracher sur vos tombes, his love stories with Michelle Léglise then Ursula Kubler or his relationship with Jean-Paul Sartre. Through his memories, Boris Vian relives all his “parallel lives”.
A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
