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The stereotypical sports movie about a character which goes from glory to hell and back to the glory again. The story is OK, but nothing new. Crowe performs well, but it is not one of his best movies. Giamatti is great, as always but Zellwegger is too cheesy in her role. Just an entertaining movie without any more intentions.
This is a fine boxing movie, one that relies more on the fighter’s personal story than endless scenes of boxing brutality. James Braddock’s final rise to the championship was an inspirational example during the lull in between the headline-grabbing reigns of Jack Dempsey and Joe Louis, when the heavyweight title changed hands several times. My only complaint with Ron Howard’s film was its portrayal of Max Baer, the champion Braddock defeated to win the title. For dramatic purposes, they changed his personality and made him into a bullying, vicious person, to the point of making a crude comment about Braddock’s wife. They needed a bad guy so they made one. I became interested in Max Baer when I was a teen and read a lot about him over the decades. He was fierce when he meant business in the ring, but mostly he was happy go liucky and didn’t love the fight game. As a side note, Max Baer’s son was also upset at seeing this man he didn’t recognize as his father (this was Max Baer Jr., Jethro Bodean from the Beverly Hillbillies). But what can you do — making changes is standard procedure for movies based on real events. They are often still worth watching. Just don’t use them for research for a school project, right?
Once Jim Braddock (Russell Crowe) breaks his hand in a fight, he discovers that his previously reasonably successful life in the ring has come to an end - and that puts him, wife “Mae” (Renée Zellweger) and their kids on skid row. He’s gone from making $8,000 from a fight to ferreting around the docks looking for work and taking state welfare funds so they can keep their children in their now electricity-free apartment. Then serendipity takes an hand as his former manager Joe Gould (Paul Giamatti) arranges a last-minute fight for him that might garner a meagre $250. It’s not a fight he’s expected to fare well in, but against the odds he triumphs and that enables Gould to engage with his former backer Jimmy Johnston (Bruce McGill) and that could, ultimately, lead to a world title tight fight against Max Baer (Craig Bierko). It’s a pretty savage indictment of urban American life in the 1930s and it also serves well at illustrating just how boxing so often proved the most appealing and available conduit for many an uneducated man to escape the poverty trap that would embrace not just him but his family, too. As to Braddock, his story also involves his close friend “Mike” (Paddy Considine) who embarks on a similar career path, only he has neither the skill nor the sense to make it work. For that, Braddock is especially fortunate to have Gould in his corner, a man who is less venal than many who would hire and fire at the drop of an hat. It’s the boxing action that really works well here, though, with Crowe putting heart and soul into a character that is designed to demonstrate fortitude and determination, sure, but also humanity and humility too. Giamatti steals the scenes, but Zellweger also contributes well as Ron Howard presents us with a poignant, violent and plausible story of a man motivated by family and friends who epitomised his own version of the pioneering spirit.
Dramatization of Russian ballet star Vaclav Nijinsky's diaries which detail his madness as well as his homosexual relationship with Ballet Russe impresario Sergei Diaghilev and his marriage to his Hungarian wife.
Already a famous painter, Rembrandt van Rijn is commissioned to paint the Amsterdam Archers' Guild. But upon completion of the picture, the men of the guild feel duped, because they don't consider themselves flatteringly depicted in the painting. They therefore decline to pay for the work. During this dispute, the painter finds out his wife is close to death. He finds himself terribly lonely after her passing and suffers from depression until he decides once more to marry.
Its All Gone Pete Tong is a comedy following the tragic life of the legendary Frankie Wilde. The story takes us through Frankie's life from being one of the best DJs alive, through a subsequent battle with a hearing disorder, culminating in his mysterious disappearance from the scene.
Aging wrestler Randy "The Ram" Robinson is long past his prime but still ready and rarin' to go on the pro-wrestling circuit. After a particularly brutal beating, however, Randy hangs up his tights, pursues a serious relationship with a long-in-the-tooth stripper, and tries to reconnect with his estranged daughter. But he can't resist the lure of the ring and readies himself for a comeback.
Born in America and raised in an Indian ashram, Pitka returns to his native land to seek his fortune as a spiritualist and self-help expert. His skills are put to the test when he must get a brokenhearted hockey player's marriage back on track in time for the man to help his team win the Stanley Cup.
Joe Pendleton is a quarterback preparing to lead his team to the superbowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn't ready to die, and that his body has been cremated. A new body must be found, and that of a recently-murdered millionaire is chosen. His wife and accountant—the murderers—are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Superbowl.
A walk through the life and career of the legendary French photojournalist Christine Spengler, known as Moonface, one of the few female war reporters in the seventies, also a writer and surrealist painter, who worked in Chad, Northern Ireland, Vietnam, Cambodia, Afghanistan, Lebanon, Iran, Iraq and other places where unfortunately war and death prevailed for years.
Nozomi is a former actress who moves back to Japan from New Zealand. Upon arriving, she meets her fellow high school student neighbor Ryotaro Shiba, who decides to join the high school boxing club. Adapted from Toshio's Nobe manga, with the same title.
In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike's car and then, after an odd sequence of events, shoots out the studio's window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike's wife to his own - the women initiate business dealings. Then, things go sour all at once, Mike's debts mount, and going into the ring may be his only option.
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genoa changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.