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Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, complete with a Big Tournament at the end – but the events leading up to it, and how the tournament itself unfolds, are handled with Mamet’s characteristic ear for realistic dialogue, attention to detail, and patience; the necessary patience to allow the plot to develop as a natural and organic succession of characters’ choices and their corresponding consequences, as opposed to, well, a plot. As a result we are spared such clichéd sights as the Training Montage, for instance, or the Romantic Interest. The hero is Brazilian Jiu-Jitsu teacher Mike Terry (Chiwetel Ejiofor), whose mantra is “There is no situation that you cannot turn to your advantage.” In keeping with this, Mamet weaves a script where there are no wasted movements; as in a Rube Goldberg machine, every disparate element – idealistic sensei, shallow Hollywood star, troubled police officer, traumatized female lawyer, long-suffering wife, crooked club owners, shady businessmen, etc., etc., etc. – is interconnected with the others and all serve the story just like all roads lead to Rome. Even something so apparently random as some dude performing sleight of hand in bar in exchange for drinks will eventually fall into place and fit in with rest as neatly as a key going into a lock. Only the ending seems like it was taken straight out of a much inferior movie (think something like a Kickboxer or a Never Back Down), and represents somewhat of an anomaly among Mamet’s filmography which, mostly for better but sometimes for worse, is nothing if not consistent – consider 1988’s Things Change, whose deus ex machina not only had a better set-up but was much easier to swallow because the movie was, after all, a comedy. But here the fanciful climax feels tacked on, especially after the effort made by both the filmmaker and his expert cast to invest the story with a palpable sense of realism. To go out of his way like this, Mamet clearly cared a great deal about the main character – and so will most people who watch the movie, though not necessarily, at least in my case, at the expense of inner logic.
The true life story of Wendell Scott, the first black stock car racing driver to win an upper-tier NASCAR race.
A semi-fictional account of life as a professional football player. Loosely based on the Dallas Cowboys team of the early 1970s.
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
The ultimate wish-fulfillment tale of a teenage Gran Turismo player whose gaming skills won him a series of Nissan competitions to become an actual professional racecar driver.
Your backstage pass for when the cameras stop rolling! Monday Night Raw has delivered pulse-pounding excitement to TV viewers for over 20 years. But what happens when the telecast ends? For the first time ever, see what happens after the screen fades to black! Watch WWE's most colorful personalities cut loose for the live audience! From Stone Cold Steve Austin beer bashes, hilarious improv, red-hot matches and heartwarming tributes, it's all here!
In the supercharged world of dirt track racing, a single mistake causes the lives of two men to change forever. One must fight for his family, the other must fight to forgive.
A biopic of NASCAR legend Dale Earnhardt, Sr., documenting the driver's career from his earliest days onward and also looking at the family he built along the way. Earnhardt's death in 2001 rocked the sport, but his seven championships and 76 wins made an impact on NASCAR forever.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no US team has yet won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
