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Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, complete with a Big Tournament at the end – but the events leading up to it, and how the tournament itself unfolds, are handled with Mamet’s characteristic ear for realistic dialogue, attention to detail, and patience; the necessary patience to allow the plot to develop as a natural and organic succession of characters’ choices and their corresponding consequences, as opposed to, well, a plot. As a result we are spared such clichéd sights as the Training Montage, for instance, or the Romantic Interest. The hero is Brazilian Jiu-Jitsu teacher Mike Terry (Chiwetel Ejiofor), whose mantra is “There is no situation that you cannot turn to your advantage.” In keeping with this, Mamet weaves a script where there are no wasted movements; as in a Rube Goldberg machine, every disparate element – idealistic sensei, shallow Hollywood star, troubled police officer, traumatized female lawyer, long-suffering wife, crooked club owners, shady businessmen, etc., etc., etc. – is interconnected with the others and all serve the story just like all roads lead to Rome. Even something so apparently random as some dude performing sleight of hand in bar in exchange for drinks will eventually fall into place and fit in with rest as neatly as a key going into a lock. Only the ending seems like it was taken straight out of a much inferior movie (think something like a Kickboxer or a Never Back Down), and represents somewhat of an anomaly among Mamet’s filmography which, mostly for better but sometimes for worse, is nothing if not consistent – consider 1988’s Things Change, whose deus ex machina not only had a better set-up but was much easier to swallow because the movie was, after all, a comedy. But here the fanciful climax feels tacked on, especially after the effort made by both the filmmaker and his expert cast to invest the story with a palpable sense of realism. To go out of his way like this, Mamet clearly cared a great deal about the main character – and so will most people who watch the movie, though not necessarily, at least in my case, at the expense of inner logic.
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.
An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion.
After Rocky goes the distance with champ Apollo Creed, both try to put the fight behind them and move on. Rocky settles down with Adrian but can't put his life together outside the ring, while Creed seeks a rematch to restore his reputation. Soon enough, the "Master of Disaster" and the "Italian Stallion" are set on a collision course for a climactic battle that is brutal and unforgettable.
After an intense fight with Clubber Lang and the death of his trainer Mickey, Rocky Balboa is left devastated. Former rival Apollo Creed steps in to help Balboa get back his fighting spirit.
After Apollo Creed is killed by Ivan Drago in a match, Rocky Balboa becomes depressed and becomes determined to get revenge.
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
When star high school quarterback AJ Montoya breaks his hand his only hope is to team up with his longtime rivals, the cross country team-a group of nerds and misfits with potential for high school glory.
A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.
Sylvester Stallone stars as hard-luck big-rig trucker Lincoln Hawk and takes us under the glaring Las Vegas lights for all the boisterous action of the World Armwrestling Championship. Relying on wits and willpower, Hawk tries to rebuild his life by capturing the first-place prize money, and the love of the son he abandoned years earlier into the keeping of his rich, ruthless father-in-law.
Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.
When Claire Spencer starts hearing ghostly voices and seeing spooky images, she wonders if an otherworldly spirit is trying to contact her. All the while, her husband tries to reassure her by telling her it's all in her head. But as Claire investigates, she discovers that the man she loves might know more than he's letting on.
