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Everyone knows how Romeo and Juliet ends, but after this version of the story, there really is no way of knowing how it will begin. The narration starts with the famous “Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.” But then, totally out of the blue, the narrator adds: “And so the prince has called a tournament [as in jousting] to keep the battle out of the city streets.” If you're thinking that there's no jousting in Romeo and Juliet, you're absolutely right. The oddest thing of all, however, is that there is no jousting in this movie either. We see knights in armor, holding lances and riding horses, but director Carlo Carlei and screenwriter Julian Fellowes curiously forget about this novelty almost as soon as they introduce it. Do Romeo and Tybalt decide Juliet’s fate like Wilfred of Ivanhoe and Brian de Bois-Guilbert do that of the Jewish Rebecca? Not at all; as I hinted above, the ending of the story remains largely unchanged (with Shakespeare, of course, there's always the possibility of enjoying the performances, even if the song, so to speak, remains the same; unfortunately, that's not the case here – Douglas Booth and Hailee Stanfield are no Leo DiCaprio and Claire Danes, let alone Leonard Whiting and Olivia Hussey). I guess I can understand the need to mix things up a bit to avoid the inescapable feeling of déjà vu inherent to the world's most popular love story, but Carlei and Fellowes don’t even have the discipline to stick to this ill-advised addition, which only succeeds in making Prince Escalus of Verona (Stellan Skarsgård) look like an idiot, since his “tournament” not only can’t stop the Capulets and Montagues from brawling on the streets, but it shouldn’t even try to, considering that these public brawls are central to the action. Among the few things Carlei does get right is preserving the traditional Renaissance Verona setting; on the other hand, he makes Romeo an amateur sculptor for no reason other than making the most impressionable female spectators swoon at the sight of his bare, sweaty chest, which he likes to uncover when chiseling marble.
Crown of Castile, 1520. The Comuneros rise up against Charles I, king of Castile and Aragon and emperor of the Hispanic Monarchy. While Juan de Padilla, leader of the uprising, and his captains, Juan Bravo and Francisco Maldonado, fight against the imperial armies, his wife, María de Pacheco, rules the city of Toledo, capital of the rebels.
At the age of 14 the world around you changes at a dizzying speed. But what if actually it's you that changing? What if these changes take you away from what up until now, has been your world? Ibrahim and Rafa are going to suffer these changes for themselves, experiencing first love in a way they never could have imagined. And having to keep it Hidden away.
In this Broadway stage production, Orlando Bloom and Condola Rashad take on the title characters in a modern adaptation of the timeless classic, Romeo and Juliet.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.
Because the late Berlin artist Dorn failed to pay his taxes or inform the family for years, his widow Erika and daughters must urgently sell the splendid estate in Tuscany they hardly visited since his death anyhow. Eldest daughter Valerie, junior partner in fiancé Andreas Imdahl's rising architects firm, travels ahead to negotiate with the suitable candidate Robert Beck, a fellow German, who agreed trough mayor-publican Fredo to keep on caretaker Antonio 'Toni' Gianni. By the time Andreas arrives, he finds Viviane unfaithful with her study lover Stefan Korten, but is interested by Toni's daughter. Second daughter Susi and her fellow arts student fiancé Bruno Tomasi have several announcements. Mother arrives stating she decided to sell the Cologne home instead, but Robert offers an alternative. Written by KGF Vissers
The story of an unruly class of bright, funny history students at a Yorkshire grammar school in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master, a young and shrewd teacher hired to up their test scores, a grossly out-numbered history teacher, and a headmaster obsessed with results, the boys attempt to pass.
When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?