Sebastian 2024 - Movies (Oct 2nd)
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The Forgotten Coast 2024 - Movies (Feb 19th)
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We Beat the Dream Team 2025 - Movies (Feb 18th)
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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Hollywood Squares - (Feb 20th)
I’m sorry to report that Alyssa Milano does not forego her long-standing ‘no nudity clause’ in Brazen — and I’m more sorry for her than for me (after all, I’ve seen Embrace of the Vampire), because that’s about the only thing that could save this mess. Milano is Grace Miller, authoress of thriller novels. Here is an excerpt from her most recent masterpiece, titled Brazen Virtue: "She did not expect to die that night. Sara Bowman was precise in everything, and dying was not on her agenda. She had no enemies that she knew of. In general, his life was quite ordinary. Yet there she was, lying in a pool of her own blood. The manner of her death violent, even deranged. Who would want to kill the ordinary Sara Bowman? And then it dawned on her. What if she wasn’t ordinary? What if she had a secret life?" It would have to be a very secret secret life indeed if not even “Sarah” herself was aware of it. It turns out that Brazen is based on a novel also called Brazen Virtue by Nora Roberts; I’m not familiar with her work, but I wouldn’t be surprised if her books opened with the phrase “It was a dark and stormy night” or some variation thereof. In addition to a purveyor of purple prose, Grace is a dispenser of clumsy exposition, like when she tells her sister Kathleen (Emilie Ullerup) that “Last I heard you were addicted to pills and you abandoned your son.” Something tells me this is not news to Kathleen, who is an English teacher at an upper-class boys’ high school: “Next week’s essay will be on Hamlet. How would Hamlet feel in our digital age? I’m pretty sure Ethan Hawke already answered this question, and the answer wasn’t very compelling (besides, a better question would be how would Romeo feel in the digital age, considering that a simple SMS would have saved him a lot of trouble). Would you believe that Kathleen herself just happens to have a double life of her own? Well, she does; her alter ego is Desiree, a web cam dominatrix. Wait, what? I guess all her customers must be naughty little boys, because for a fetish based on discipline, this is incredibly lazy. Anyway, Kathleen soon gets sent to web cam heaven, and Grace hijacks her sister’s homicide investigation, which is nominally led by Detective Ed Jennings (Sam Page) — who conveniently lives next-door to Kathleen — and his partner, Detective Ben Parker (Malachi Weier), who may be named after Spiderman’s uncle, but he looks like the lead singer in a Melvins cover band. Grace talks Ed and Ben’s boss, Captain Rivera (Alison Araya) into appointing her a “consultant” on the case (someone’s been watching too much Lucifer). Grace justifies this claiming that “I have an instinct for motive. I mean, that’s why my books are so successful. I can enter the mind of a murderer, especially those who attack women.” Ed, who is present and opposes the idea, fails to point out that Grace would be a pretty lousy writer (well, lousier) if she couldn’t freely enter the mind of a killer that she made up in the first place. Unchecked, Grace adds, “Do you know how long it took the NYPD to find the Times Square Rapist? Eight months. And I went in, studied the case, and they caught the guy three days later.” Again, it doesn’t cross Ed’s mind to call this a coincidence or suggest that the guy was caught thanks to those eight months of police work, and not Grace’s three days. The Captain, who must have found her badge in a cereal box, is sold, however; “Grace, I read your books from cover to cover as soon as I can get my hands on them. You truly are one of the most cunning profilers out there.” Thankfully, the scene ends before the brownosing becomes literal. What I don’t understand is why director Monika Mitchell — and that a woman directed this, as it were, brazen display of pseudo-feminism is most baffling — goes to such lengths to promote Grace as a prodigious detective mind when she never even comes close to determining the killer’s identity or motive (despite having “lots of ideas” about it), or why screenwriters Edithe Swensen and Donald Martin force Milano to say, with all the sincerity she can muster, that Grace’s novels are “about the exploitation of women and misogyny and patriarchy and how we do very little to protect the most vulnerable”, only to have her catch the villain by literally using her body as bait. It may contain no full-frontal nudity, but Brazen is nonetheless one of the most embarrassing movies Milano has ever been in (for what it’s worth, she’s a stone-cold MILF, though).
When a young boy contracts a mysterious illness, his mother must decide how far she will go to protect him from terrifying forces in her past.
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
Jesse Aarons trained all summer to become the fastest runner in school. So he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences including that she's rich, he's poor, she's a city girl, and he's a country boy the two become fast friends. Together they create Terabithia, a land of monsters, trolls, ogres, and giants where they rule as king and queen.