Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
I’m sorry to report that Alyssa Milano does not forego her long-standing ‘no nudity clause’ in Brazen — and I’m more sorry for her than for me (after all, I’ve seen Embrace of the Vampire), because that’s about the only thing that could save this mess. Milano is Grace Miller, authoress of thriller novels. Here is an excerpt from her most recent masterpiece, titled Brazen Virtue: "She did not expect to die that night. Sara Bowman was precise in everything, and dying was not on her agenda. She had no enemies that she knew of. In general, his life was quite ordinary. Yet there she was, lying in a pool of her own blood. The manner of her death violent, even deranged. Who would want to kill the ordinary Sara Bowman? And then it dawned on her. What if she wasn’t ordinary? What if she had a secret life?" It would have to be a very secret secret life indeed if not even “Sarah” herself was aware of it. It turns out that Brazen is based on a novel also called Brazen Virtue by Nora Roberts; I’m not familiar with her work, but I wouldn’t be surprised if her books opened with the phrase “It was a dark and stormy night” or some variation thereof. In addition to a purveyor of purple prose, Grace is a dispenser of clumsy exposition, like when she tells her sister Kathleen (Emilie Ullerup) that “Last I heard you were addicted to pills and you abandoned your son.” Something tells me this is not news to Kathleen, who is an English teacher at an upper-class boys’ high school: “Next week’s essay will be on Hamlet. How would Hamlet feel in our digital age? I’m pretty sure Ethan Hawke already answered this question, and the answer wasn’t very compelling (besides, a better question would be how would Romeo feel in the digital age, considering that a simple SMS would have saved him a lot of trouble). Would you believe that Kathleen herself just happens to have a double life of her own? Well, she does; her alter ego is Desiree, a web cam dominatrix. Wait, what? I guess all her customers must be naughty little boys, because for a fetish based on discipline, this is incredibly lazy. Anyway, Kathleen soon gets sent to web cam heaven, and Grace hijacks her sister’s homicide investigation, which is nominally led by Detective Ed Jennings (Sam Page) — who conveniently lives next-door to Kathleen — and his partner, Detective Ben Parker (Malachi Weier), who may be named after Spiderman’s uncle, but he looks like the lead singer in a Melvins cover band. Grace talks Ed and Ben’s boss, Captain Rivera (Alison Araya) into appointing her a “consultant” on the case (someone’s been watching too much Lucifer). Grace justifies this claiming that “I have an instinct for motive. I mean, that’s why my books are so successful. I can enter the mind of a murderer, especially those who attack women.” Ed, who is present and opposes the idea, fails to point out that Grace would be a pretty lousy writer (well, lousier) if she couldn’t freely enter the mind of a killer that she made up in the first place. Unchecked, Grace adds, “Do you know how long it took the NYPD to find the Times Square Rapist? Eight months. And I went in, studied the case, and they caught the guy three days later.” Again, it doesn’t cross Ed’s mind to call this a coincidence or suggest that the guy was caught thanks to those eight months of police work, and not Grace’s three days. The Captain, who must have found her badge in a cereal box, is sold, however; “Grace, I read your books from cover to cover as soon as I can get my hands on them. You truly are one of the most cunning profilers out there.” Thankfully, the scene ends before the brownosing becomes literal. What I don’t understand is why director Monika Mitchell — and that a woman directed this, as it were, brazen display of pseudo-feminism is most baffling — goes to such lengths to promote Grace as a prodigious detective mind when she never even comes close to determining the killer’s identity or motive (despite having “lots of ideas” about it), or why screenwriters Edithe Swensen and Donald Martin force Milano to say, with all the sincerity she can muster, that Grace’s novels are “about the exploitation of women and misogyny and patriarchy and how we do very little to protect the most vulnerable”, only to have her catch the villain by literally using her body as bait. It may contain no full-frontal nudity, but Brazen is nonetheless one of the most embarrassing movies Milano has ever been in (for what it’s worth, she’s a stone-cold MILF, though).
Emma, the lucky recipient of a recent heart transplant, sets out to find the identity of her donor only to learn that it was her estranged cousin, who may have been murdered.
Oscar, a young boy, commits a noble murder and is forced to runaway from his rural hometown, leaving behind his best friend, Loux. He escapes to the nearest city, where he is inducted into a gang of child street thieves. His innocence slips away as he is introduced to love, murder, and corruption. 15 years later, he has forgotten his past and become the leader of this band of lost children. When Loux moves to the city in search of work, she takes a job with a struggling private investigator. Stumbling upon Oscar's missing child report, she takes it upon herself to find the boy who saved her life.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
While vacationing in St. Moritz, a British couple receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.
An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.
Margaret Jarnette discovers that her husband Victor has been cheating on her and confronts him. Outraged, Victor has his lawyer rewrite his will so that in the event of his death, his brother Richard will get custody of his daughter Muriel, and his wife won't. When Victor dies shortly afterward, Richard suspects that Margaret had murdered him and takes custody of Muriel. However, he soon begins to suspect that things may not be quite as cut-and-dried as he thought they were.
For Pablo Escobar family is everything. When young surfer Nick falls for Escobar's niece, Maria, he finds his life on the line when he's pulled into the dangerous world of the family business.
A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.
A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.