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Midnight Run 1988, the benchmark for the buddy buddy road movie. The unsung DeNiro classic. The missing 80s masterpiece as regards everything coming together, and simply the best buddy buddy movie that, to me at least, has ever hit the screen. De Niro & Grodin, there is no other duo in the genre that bounces off each other with the 100% joyful results we get here. They define the term dynamic duo. Director Martin Brest lets his actors do their thing, it is the sort of film where the cast are just happy to be working and use their talent to the max. Be it improv or visually acting in the back ground, both men are at one and in some chemistry zone. The score from Danny Elfman is like some hybrid Western wacky races fusion, but hell it works well. One of Elfman's best ever scores in fact. The dialogue is electric, some of the script is so sharp it should be put away in a sharps box and labelled up as to be opened whilst wearing gloves. The rest of the cast are uniformly brilliant, be it the wonderful John Ashton as rival bounty hunter Marvin, the menacing yet cheekily attired Dennis Farina as mob boss Jimmy Serrano, or Yaphet Kotto as the constantly irritated FBI agent Alonso Mosely, it's pretty much a flawless cast in optimum gear. The rating on the big movie sites, though high enough, is still a disgrace, I can only think that DeNiro fans really didn't want to see him doing a comedy? Well I say they are wrong! Because this film shows that the great man once had much to give the comedy/action splinter of film. Perhaps he just needed the perfect foil of Charles Grodin alongside him? Either way this film is smart, funny, even tender at times (I defy all to not be touched deeply during a daughter/father reunion). It has no peers for an 80s action/comedy, with bags of action (Brest shows some great skills at action construction) to keep the pulses raised. A group of characters beautifully brought to life by a top draw cast, and a finale that gladdens the heart because it closes exactly the way it should, Midnight Run, my bias not withstanding, is a benchmark movie for its ilk. Fistophobia for those that don't agree! 10/10
"Midnight Run" has a generous measure of wonderfully executed action sequences and comedy that is genuinely funny, although there is an extremely high reliance upon swearing and this will undoubtedly offend and alienate the more sensitive souls sitting out there in the audience. This is also a hugely entertaining film which contains a number of memorable Robert De Niro moments - he is fascinating to watch during the scene where he visits his ex-wife Gail to borrow some money (this, in turn, leads to a spectacularly awkward encounter with his daughter which eventually ends in embarrassing silence) and again when he finally comes face to face with Jimmy Serrano, an unwelcome face from his past - and the many locations look absolutely gorgeous.
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
Taking a break from their dreary lives, close friends Thelma and Louise embark on a short weekend trip that ends in unforeseen incriminating circumstances. As fugitives, both women rediscover the strength of their bond and their newfound resilience.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.
Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Randolph Bradley is perfectly content fading into the background, but when his coworker Benson snaps and goes on a violent killing spree, he’s forced to face his fears and confront his troubled past in order to find a way to survive.