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Clark Gable ("Victor Norman") returns from WWII to rekindle his career in advertising. His cunning plan involves the glamorous war widow Deborah Kerr ("Kay"), nervous old ad agency boss "Mr. Kimberly" (Adoplhe Menjou), some considerable perspicacity and a whole load of soap. The latter element is provided by the wonderfully odious "Evan Llewellyn Evans" (Sydney Greenstreet,) the shrewd, but ghastly, owner of the most popular brand of beauty soap for whom Gable engages Kerr to star in an advertisement. Much to everyone's surprise, the entrepreneur rather likes the end product and "Norman" looks like his new, highly paid, career is set fair. Meantime, he has completely fallen for "Kay", but his methods of courtship lack, shall we say, finesse or style! Will he get the big job and/or the girl? Does he even want the big job an/or the girl? Wakeman's novel sets up the shallowness of the advertising industry for a good kicking: it's manipulation of those it considers the "sheep" (i.e us) to buy whatever rehashed nonsense they choose to offer us, is presented in a frequently quite comical - certainly quite cynical - fashion, with Greenstreet superb as the thoroughly unpleasant boss surrounded by his band of acolytes calling out "check" when he seeks their nominal agreement for his decisions. Jack Conway let's the star own the film - the dialogue is quickly delivered; and there is the merest hint of chemistry between him and his new to Hollywood co-star, who could have been doing with a little more substance to her part. Edward Arnold chips in well too, and there is an early outing for keenan Wynn as "Buddy Hare"- the kind of comic that has me reaching for my shotgun! It's a bit on the long side, the story runs out of steam a bit - but its still well worth watching.
Buddy Amaral, a successful and self-absorbed Los Angeles advertising executive, switches airline tickets with a stranger just before boarding a long-delayed flight so that he might enjoy an overnight fling with a pretty Dallas businesswoman. When the plane goes down, killing all aboard, Buddy's guilt soon turns into an alcohol problem. As part of his 12-step program, Buddy seeks atonement and decides to seek out the woman he thinks he's left a widow.
During WWII, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.
Eccentric 70-year-old widow purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs. Henderson suggests they add female nudity similar to the Moulin Rouge in Paris.
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
A young woman and her undead mother take on some greedy real estate developers who will stop at nothing to get their land.
Teddy works for a large advertising company. Given the seemingly impossible task of selling frozen porridge, he decides to produce commercials that make the product seem sexy. This leads him to confrontation with the "Keep Television Clean" movement, of which his wife is a senior member.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
When an alien takes the form of a young widow's husband and asks her to drive him from Wisconsin to Arizona, the government tries to stop them.
The fastest man on four wheels, Ricky Bobby is one of the greatest drivers in NASCAR history. A big, hairy American winning machine, Ricky has everything a dimwitted daredevil could want, a luxurious mansion, a smokin' hot wife and all the fast food he can eat. But Ricky's turbo-charged lifestyle hits an unexpected speed bump when he's bested by flamboyant Euro-idiot Jean Girard and reduced to a fear-ridden wreck.
