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This first stage of Steven Soderbergh's biopic of the life of the Argentinian revolutionary Ernest Guevara begins with his arrival on the island of Cuba and follows his increasingly effective leadership of the revolution against the government of President Batista. That old adage about one man's terrorist being another's freedom fighter is well exemplified here with us left in no doubt by the director and writer of the merits of the Guevara cause. That writing isn't actually up to very much, nor is much of the acting but the documentary style of story-building and photography does work really well illustrating the extent of the poverty in which the subsistence population survived, hand to mouth and day to day. Benicio Del Toro takes the title role and when he reunites with Fidel Castro (Demián Bichir) and brother Raúl (Rodrigo Santoro) he is soon an integral part of the command and control structure of the communist insurgency that intends to remove the pro-US government. It's Castro's increasing alignment with the Soviet Union that earns the the chagrin of their nearest neighbours and much of the drama here sees all of them crawling through the jungle wary of all they meet while their increasing number of troops and weaponry, coupled with increasing dis-satisfaction amongst the government troops, gives them a chance of success. It's history, and the fact that there's a part two doesn't leave a lot of room for jeopardy, but Soderbergh doesn't shy away from the uncertainty and brutality of the conflict and the hostility of their island environment. The location photography does work well but it sacrifices the sound mix to achieve that - there is a lot of mumbling going on here. This characterisation presents us with a man of some vision who believed in the principles of communal ownership and universal education, and is worth a watch.
A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them, as they represent free-thinking and indulgence. When a group of gypsies arrive by riverboat, the Mayor's prejudices lead to a crisis.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
The story of Ernesto Pimentel’s life, raised humbly after losing his mother, inspires him to create the iconic character La Chola Chabuca, an Andean figure who captivates all of Peru with her colourful skirts and high spirits.
A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.
A failed engineering student in the late 1940s gets the unexpected education of a lifetime by working for four years in a rainforest tin mine.
Bio-drama tracing the life and career of Polish cardinal Karol Wojtyla from his days as a young activist in Poland to his rise and installation in 1978 as Pope of the Catholic world.
In this biopic, Christian Rahadi – aka Chrisye – overcomes early failures, family strife and anxiety to become one of Indonesia's legendary musicians.
Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.
