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Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.
Victor, who lives abroad, must travel to his country of origin sent by the company where he works and will have only one day to visit his family who will do the impossible to honor him in that short stay. At that time, dramatic turns and touches of humor will occur to deep solemnities, within the traditional and beloved domestic bosom.
Val Kilmer, master of reinvention, becomes Mark Twain, in a funny, moving, contemporary and reflective performance, based on the life of the man who was Samuel Clemens and on his writings as Mark Twain: his thoughts on politics, his family, his faith and God… Twain shows the greatness of his incomparable wit.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Mannar Mathai Speaking 2 is malayalam comedy thriller film, directed by Mamas. It is a sequel to the 1995 cult comedy classic, Mannar Mathai Speaking and the third installment in the celebrated Ramji Rao franchise. Actors Mukesh, Saikumar, Innocent, Janardhanan reprise their roles; while Aparna Gopinath, Shammi Thilakan and a few others are also included in the cast
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
On a remote island off the coast of Maine, Liv, after years of silence, begins to weave a language out of Shakespeare's words. A driven neurologist, brought to the island to protect her, commits her to a psychiatric hospital. She becomes a full-blow rebel in the hospital; her increasing violence threatens to keep her locked up for life as she fights for her voice and her freedom.
Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love.