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Listen to the Earth - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Love During Lockup - (Jan 17th)
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28 year old Kenneth Branagh really reached for the stars with **HENRY V**, his cinematic directorial debut. Quite often, a young director falls on their backside in ones first attempt at making film. Luckily for us, **Henry V** is nothing short of a triumph. Branagh's directorial approach is ambitious and confident. Filled with high excitement - quite an accomplishment when staging a 400 year old stage play told completely through dialogue. His visual style certainly are more film than stage play, and his screenplay adaptation tightens the story, even with the inclusion of a scene that was originally from Shakespeare's **HENRY IV Part 2** to clarify the story. More amazing, Branagh also portrays the Young King in a tremendous interpretation of the role. Not only does his Harry fit organically into the story, his understanding of the language makes the story relatable to today's audiences without destroying the poetry. Others in the regal cast include excellent performances by Emma Thompson and Derek Jacobi as the omnipresent Chorus. Many other performers will star in Branagh's later films as he seems to operate in a collaborative community approach. The stunning musical score by Patrick Doyle cements what will become one of the greatest director / composer relationships. Brash and operatic, the score is as capable of supporting the many battles as well as the intimate romantic scenes. Obviously, Branagh's **HENRY V** will be compared to Olivier's film - a production that has not aged as well for today's audiences. Olivier's production is bright and colorful with sets resembling a production of the Wizard of Oz. Branagh's film is gritty and dirty and brings viewer onto the bloody field of Agincourt. On a personal level, Branagh's **HENRY V** was the first film that I watched in its entirety and stayed in my seat and watched it all the way through a second time. It shows that Shakespeare can be vibrant, entertaining and beautiful.
Based on real life events, the film revolves around the heroic efforts of a team of firefighters as they attempt to deal with a fire that breaks out at an oil refinery in Dalian.
Slovenian countryside in the 18th century. The future lord of the manor, Ožbej, falls in love with the new maid, Meta. His family, however, is opposed to the match and successfully plots to keep the young couple apart. Although Meta must endure scorn and degradation at the hands of the villagers, Ožbej still cannot tear himself away from her. Five children are born of their union, all of whom are looked upon as bastards by the manor folk. Although driven by desperation to return to the manor, Ožbej still harbours the hope that he will one day be able to live together with his love. Can he survive without the woman he loves and without his children? Will he be able to survive at all?
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
Tells the story of Andrew, a 13-year-old whose mother dies and leaves him with an indifferent step-father. Andrew, receiving only hostility from his classmates and step-father, begins to steal. An understanding counselor at school helps Andrew reform and readjust.
The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.