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Something's missing and that is entertainment lacking. Fans of the genre won't notice it much but someone who loves fast-paced crime will. I did.
This isn't so much a story about the notorious murderer, but more one of two investigative journalists who meticulously followed the case and tried to establish the truth behind these gruesome crimes. Loretta McLaughlin (Keira Knightley) was largely responsible for taking the initiative to her editor (Chris Cooper) but that published, convincing, analysis drew considerable disdain from the police and she was swiftly booted off the story. Undeterred, she persisted and ultimately with the more experienced Jean Cole (Carrie Coon) is reinstated and allowed to develop her theory that - well, maybe there isn't just one strangler! To be fair, I am not particularly well versed in the history of this, but I did find this a very dry and procedural drama that reminded me a little of "Official Secrets" (2019). Again, this saw Knightley in a smilier sort of role, and again delivering it very much as if it were straight off the page. There is little evidence of passion here. The tenacity and perseverance of these two women - at times putting the safety of themselves and their families on the line - isn't really captured here. It's wordy, at times a little too earnest and though it looks good it's just all a bit sterile. This is a fascinating story that looks at serial killings, copycat killings and strong investigative journalism all in the face of a rather linear (and sexist) approach taken by the authorities. It ought to be scintillating and intriguing - but this is certainly not.
A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.
A young man who was sentenced to 7 years in prison for robbing a post office ends up spending 30 years in solitary confinement. During this time, his own personality is supplanted by his alter ego, Charles Bronson.
Carroll McKane's DVcams have recorded the deaths of his 36 past victims. His killing room, a makeshift studio, is the set for the murders of two more victims and the torture of a forensic psychiatrist, destined to be his biographer and the killer of his final victim... number 39.
Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.
A rising Boston gangster (Ben Barnes) endangers those around him when he starts to make moves without the knowledge of his boss (Harvey Keitel).
Steve Clark is a newcomer in the town of Cradle Bay, and he quickly realizes that there's something odd about his high school classmates. The clique known as the "Blue Ribbons" are the eerie embodiment of academic excellence and clean living. But, like the rest of the town, they're a little too perfect. When Steve's rebellious friend Gavin mysteriously joins their ranks, Steve searches for the truth with fellow misfit Rachel.
When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance vows revenge, setting out to nab dangerous counterfeit artist Eric Masters.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Based on the screenplay by Mel Dinelli, this story revolves around Helen Warren, a beautiful mute girl, who becomes the target of a mysterious killer who preys on young handicapped women.
When students in the town of Cherry Falls hear that a serial killer is targeting virgins, they realize that the only way to protect themselves is to begin planning a "Pop Your Cherry" party.