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This sequel marks the end of the series...or does it? The rookie cop Staziak (Daniel Quinn) is now a plain clothes detective (he must have had one good year), and uses his scanning capabilities to rout criminals and foil evildoers. We meet an evil scanner (Patrick Kilpatrick)- yes, another one- who has escaped from a mental ward and is trying to kill Staziak. It seems he can also suck the "lifeforce" out of other scanners. You see the scanner finale coming as scanner cop and evil scanner do scanner battle. In the beginning of the film, Staziak fools a kidnapper into thinking Staziak is an accomplice, not a cop. He does this by "scanning." The problem is the director uses the exact same special effect from "Scanner Cop," but in a very different scanning context. Another complaint I have had about the entire series, and I have seen all the entries, is that the Scanner power is never explained. We see scanners command others to do their will, we see scanners getting scanned, but what specifically does "scanning" entail? Reading minds? This question has never been adequately explained, but now machines can be scanned as well? The good scanner vs. Evil scanner plot has been done, yet it is still trotted out for this video. This came out a few years ago, without a sequel, but after witnessing the rebirth of movie series like James Bond, Halloween, Friday the 13th, etc., I am not holding my breath. In a complete pageant of unoriginality, every single episode of this film series has had an exploding head, but none of them matched the gore of the first film. This showdown is underwhelming. Also known as "Scanners 4: The Showdown."
Seagal plays a man with a dark and violent past, who seeks revenge for the murder of his son.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
Jack Traven, an LAPD cop on SWAT detail, and veteran SWAT officer Harry Temple thwart an extortionist-bomber's scheme for a $3 million ransom. As they corner the bomber, he flees and detonates a bomb vest, seemingly killing himself. Weeks later, Jack witnesses a mass transit city bus explode and nearby a pay phone rings. On the phone is that same bomber looking for vengeance and the money he's owed. He gives a personal challenge to Jack: a bomb is rigged on another city bus - if it slows down below 50 mph, it will explode - bad enough any day, but a nightmare in LA traffic. And that's just the beginning...
Revolves around a British military contractor Lex Walker who is told his daughter has died. When he arrives in Los Angeles and discovers the body is not hers, he begins an investigation.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.