Ask This Old House - (Jan 31st)
Impractical Jokers - (Jan 31st)
The Rachel Maddow Show - (Jan 31st)
Divided by Design - (Jan 31st)
The Last Word with Lawrence ODonnell - (Jan 31st)
Found - (Jan 31st)
Miss Shachiku and the Little Baby Ghost - (Jan 31st)
Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
Ghosts - (Jan 31st)
All In with Chris Hayes - (Jan 31st)
The Traitors - (Jan 31st)
Sesame Street - (Jan 31st)
Tonight - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
Why do women insist on loving men for what they want them to be instead of what they are? The Sea of Grass is directed by Elia Kazan and written by Conrad Richter, Marguerite Roberts and Vincent Lawrence. It stars Spencer Tracy, Katharine Hepburn, Robert Walker, Melvyn Douglas, Phyllis Thaxter, Edgar Buchanan and Harry Carey. Music is by Herbert Stothart and cinematography by Harry Stradling. We are on the America's frontier and St. Louis woman Lutie Cameron (Hepburn) marries New Mexico cattleman Col. James B. 'Jim' Brewton (Tracy). Brewton is seen as a tyrant by the locals and Lutie quickly comes to realise that nothing will stop her husband from driving his plans forward. For serious Western fans it straight off looks odd seeing the pairing of Tracy and Hepburn in this setting of farmer/rancher feuding, and the pic never quite breaks away from the initial reaction of things being off kilter. In spite of the undoubted quality of the lead actors, this just becomes a raging soap opera. It's never once convincing, the studio bound theatrics becoming an eyesore, and as the run time inexplicably crawls drearily to two hours in length, there's not even any action to perk up proceedings. This was a rare blip in the filmic career of Kazan, who gives us all a warning when we find that he disowned the film, even saying he was ashamed of it. That's pretty damning evidence that serves notice on why this should be avoided by anyone other than Kazan, Hepburn and Tracy completists. One tends to think that the plot trajectory of Lutie embarrassed him, for without doubt it's offensive to womanhood, the finale only confirming this in a whirl of smugness not becoming the stars and director. It's a nicely enough produced production, with Stradling's smooth photography sparkling due to HD screenings via TCM, but as the script struggles to enact vibrancy, so shall you struggle to stay awake. 4/10
In consequence of a violent incident that occurred when is son was a toddler, Luc Bisaillon has lost the right to be in Samuel's life. Years later, Luc desperately wants to form a bond with his teenage son before it's too late. But after being arrested for violating the restraining order issued against him, Luc realized he has zero chance of getting the order lifted before his son's eighteen birthday. He then decides to kidnap his son, and to take his deer hunting in a remote cabin in the woods.
An ordinary boy named Michael is going through some extraordinary changes in his life. His family has just moved into an unfamiliar house, and his brand new baby sister has fallen ill. One day, while cleaning out the garden shed, he stumbles across something mysterious, a strange creature huddled in the corner; weak of body but strong of will. This is Skellig.
The story revolves around a blind boy named Mohammed who is released from his special school in Tehran for summer vacation. His father, shamed and burdened by Mohammed's blindness, arrives late to pick him up and then tries to convince the headmaster to keep Mohammed over the summer. The headmaster refuses, so Mohammed's father eventually takes him home.
Famed Canadian-American leftist documentary filmmaker Leonard Fife was one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Now in his late seventies, Fife is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
Before her death, Emma reflects on her life; beginning with her childhood, up through her final years in Nauvoo.
The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.
After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
In 1962 Hong Kong, two neighbors form a strong bond after both suspect extramarital activities of their spouses.