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Emergency - (Nov 28th)
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Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
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The original title of Rainer Werner Fassbinder's 1974 film "Fear Eats the Soul" is deliberately ungrammatical German: ANGST ESSEN SEELE AUF "Fear Eat Soul". That is due to one of the two protagonists we meet: Ali (El Hedi ben Salem) is a Moroccan immigrant working in Munich. He toils as a car repairman and has learned some very basic German, but he has been hindered from assimilating to German and fully learning the language by both lack of time and a German society that deliberately keep his kind at arm's length. But one night at a pub, he meets by chance Emmi (Brigitte Mira) a 60-something widow. They dance and Emmi falls in love with this tall, dark, and handsome stranger who makes her feel feelings again after so many years. Ali's own thoughts and motivations remain more mysterious, but he too seems to have been wracked with loneliness, and he recognizes in this woman two decades his senior a soulmate. The result is initially a very idiosyncratic romantic comedy. Sadly, as an opening title of the film reads, "Happiness is not always happy". The flip side of this couple's burgeoning love is the suspicion, jealousy, fear, and hatred that Emmi and Ali encounter from the citizens around them. Emmi's neighbours gossip and disparage her for bringing "trash" into their block of flats; Emmi's adult children reject her new partner; and the local grocer refuses to serve Ali. The drama of the film is Emmi and Ali's attempts to weather this storm of social rejection and make their relationship work. Some small hope remains in a handful of Munich people who see nothing wrong with this couple. The acting here is memorable. El Hedi ben Salem was not a professional actor. In fact, he was one of Fassbinder's lovers, the two met in a bathhouse in Paris. Yet El Hedi ben Salem's awkwardness on screen actually fits his role perfectly, because Ali is ill at ease and unsure of what to do in this foreign land he has immigrated to. Most of the strong acting demands are placed on Brigitte Mira, a veteran of German film and television for decades, and she pulls this off marvelously. So much poignant emotion of a woman ruing the racism of her peers, or alive with love again after years of solitude, are expressed purely through her eyes, which Fassbinder often emphasizes with long camera takes. Fassbinder himself appears as Emmi's son-in-law (married to Emmi's daughter played by Irm Hermann, a stalwart of this director's productions), and though he gets little screen time, Fassbinder's facial expressions and sardonic dialogue are delightful. Yet, in spite of its curiously heartwarming romantic pairing and touching plot about two lovers against a cruel world, ANGST ESSEN SEELE AUF is not a perfect film. In the latter part of his film, Fassbinder seems uncertain of his point. In a bitter turn, he upends the romance we had become used to for a much more pessimistic view of human relationships where the original theme of racism and intolerance seems forgotten, or at least firmly pushed aside. He then ends the film at an arbitrary point, as if unable to come up with anything more conclusive. Nonetheless, this is a classic film and worth seeing. One can also appreciate just how well Fassbinder anticipated here the cinema of Aki Kaurismäki with its characters who are "losers", the cold stares of onlookers, and the awkwardness of it all.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.
In Hong Kong of 1962, Mrs. Chan and Mr. Chow, a journalist, move into neighbouring apartments on the same day. Their encounters are formal and polite—until a discovery about their respective spouses creates an intimate bond between them.
Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.