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All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
> 11. The story of Ellie & Aaron Davis: Getting ready for the festival. The eleventh and the final one in the Hallmark's 'Love Comes Softly' movie series. Inspired by the characters from Jannete Oke's original book. Only the eight titles were the adapted screenplay and remaining two were original, but prequels. So all the ten films had connections, but was not in the chronological order. Prior to this watch, I was wondering where this one would fit in the series. Technically, it is neither a sequel nor a prequel, but my guess is it sets in a parallel timeline to the fifth movie with the characters those derived from the previous films. Patently, I was eager for this, at a time it was very sad that no more movies after this one in the series. These were the beautiful family drama episodes, obviously had ups and downs, but certainly it maintained the quality and context as it promised. This was a two part movie and each 90 minutes long. It looks natural these days a final movie in the series to split into two equal parts. The silver-screen films are done for the commercial purpose, but I don't know the reason behind this television film. Surely it was not a small story that stretched to nearly a 3 hours long. Quite well developed characters and plot under the original theme to match with a par. We know Aaron, the little boy from 'Love's Enduring Promise', whose parents were Marty and Clark Davis. Missie is his half sister, but the question remains who's Ellie? Actually Ellie was not introduced so far in the series who was born after Aaron, but the story was proceeded with Missie who got married Willie and moved away. Thus, it had no time to launch Ellie, in fact, she was unnecessary until now. But the thing is the filmmakers failed to make sure the viewers get the proper clarification. These series' so called cliche is, the deaths, that continued here as well. Almost all the films open with a similar fashion, except I think one or two movies. > "I didn't grow old by making mistakes." In the first part, it was a bit slow to start, but strongly ended with spilling some suspense to carry going to the next part. I went with so much curiosity, then I ended with a little disappointment. The story was neat in order and clearly explored all the corners, though slightly the theme was overused or maybe jumps off the line. Felt like I was watching some kind of Christmas carol movie. You are religious or not, that does not matter here, because of the praiseworthy subject about human life. To me it was one of the best in the series, except that Christmas miracle thingy which turned it from realistic to a fantasy. We can learn so many things from these films. Like today we easily contact with our dear ones from the halfway across the world through texts and video calls. But where this story set in the latter half of the 19th century, earning money, the food, getting shelter, long journeys, even it lets us know the struggles in life in the un-advanced medicinal world. I admit like I said I have usually seen plenty of western films that associated with action, adventure, crime, thriller. But it was very occasional to get a pure family enjoyable western drama. I think 'As I Lay Dying' was the last time I saw one which was severely underrated. Like I mentioned the Love saga ended with the previous film, this one was simply an extra piece attached to the series somewhere in the middle. Especially targeted for the festival season audience to watch with their families who are supposed to be the fans of this original series. I had a wonderful time the last few days with this series. I suppose I said it in all the previous reviews and again saying that it is a feel good movie series, about love, faith, society, struggles, friends, family and many more good and bad stuffs. Overall, it was the fine movies for the families, except a few technical flaws (that is common in the television movies), which are acceptable to the television standards. Finally, the time has come to me to put an end to the Love saga reviews. 7½/10
A young girl with seasonal amnesia encounters a man claiming to be God, together both of them try to recover her memories leading to big events.
Two friends who haven't talked in a while travel to a Christmas Tree Farm in search of the perfect tree for the holidays. During their trip, they reminisce about their past and contemplate their future. This story is told in three chapters. In each chapter, Emma and Jack embody different circumstances. And regardless of the circumstances, we discover their undeniable connection to each other.
A jealous woman plots revenge after her former beau returns to their hometown with a pretty new girlfriend.
Two families that hated each other for years are forced to spend Christmas together.
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
Inspired by the picturesque paintings of Thomas Kinkade, The Christmas Cottage tells the semi-autobiographical tale of how a young boy is propelled to launch a career as an artist after he learns that his mother is in danger of losing the family home.
Siblings Ethan and Hallie O'Fallon plot to get their divorced parents back together in time for Christmas.
While recovering in a hospital, war hero Jefferson Jones grows familiar with the "Diary of a Housewife" column written by Elizabeth Lane. Jeff's nurse arranges with Elizabeth's publisher, Alexander Yardley, for Jeff to spend the holiday at Elizabeth's bucolic Connecticut farm with her husband and child. But the column is a sham, so Elizabeth and her editor, Dudley Beecham, in fear of losing their jobs, hasten to set up the single, childless and entirely nondomestic Elizabeth on a country farm.
A discarded silk top-hat becomes the focus of a struggle between a washed-up stage magician and a group of schoolchildren, after it magically brings a snowman to life. Realizing that newly-living Frosty will melt in spring unless he takes refuge in a colder climate, Frosty and Karen, a young girl who he befriends, stow away on a freight train headed for the north pole. Little do they know that the magician is following them, and he wants his hat back!
Horace McNickle (Edward Asner) is a two-time felon serving prison time for counterfeiting. On the week before Christmas, he escapes from prison dressed as Santa Claus due to his uncanny resemblence to St. Nick resulting from his long white beard and heavyset features. McNickle hides out from the police in a nearby suburban neighborhood where he is befriended and helped by two local children who think he is the real Santa Claus. McNickle takes advantage of the kids naive ness to help him get his counterfeit money hidden somewhere in a local department store while he develops kind-hearted feelings for his two con victims that make him slowly understand the true nature of Christmas.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.