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A Christmas Carol (1984) Wonderful Adaptation. The 1984 TV version of Charles Dickens’ A Christmas Carol is a joyous thing. Fronted by George C. Scott as the infamous Ebenezer Scrooge, Clive Donner’s movie pays great respects to the source material and garners a multi stranded piece of brilliance out of Scott. The characters of course remain the same, but headed by Scrooge having a complex and painful background and a persona of confused emotions, there’s meaty substance holding the movie up high. Donner and writer Roger Hirson retain the black heart of the source story, with the horror elements suitably effective to bother the children, while the Victorian atmosphere always feels – crucially – authentic. If you haven’t seen this version of the often filmed tale, put it on your list for next yuletide. 9/10
_**The classic tale in glorious color with George C. Scott**_ In early 1840’s London, a wealthy miser who hates Christmas (George C. Scott) gains insights on the past, present and future. Will he write these experiences off as dreams or will he make some much needed changes? Despite being a TV production, this 1984 rendition of "A Christmas Carol" is one of the better versions of the oft-filmed tale by Charles Dickens (originally published in 1843). Scott makes for a fitting Ebenezer Scrooge and everything is in glorious color with haunting cinematography. Anyone who knows the tale knows there are heartwarming aspects, but also very spooky bits, like Jacob Marley’s ghost and the dark specter Spirit of Christmas Yet to Come. While I prefer winsome Ann Rutherford as the Spirit of Christmas Past in the 1931 version, Angela Pleasence is fine in the role (she’s Donald’s daughter and looks it). Also notable on the female front is Susannah York as Mrs. Cratchit, who still looks great at 44 during shooting, as well as the lovely Caroline Langrishe in the role of Janet, the wife of Scrooge’s nephew. The movie runs 1 hour, 40 minutes, and was shot in Shrewsbury, Shropshire, England. GRADE: B
#A Christmas Carol 88 of the 150 Movies of 1984 What are we dealing with here?: A Christmas Carol is an American dramatic fantasy film from director Clive Donner and writer Roger O. Hirson. This is one of many film adaptations of this classic Charles Dickens novella from 1843. It stars George C. Scott, Frank Finlay, David Warner, and Susannah York. It was first released in the United Kingdom on October 9th, 1984. It hit American television waves a few months later, airing on CBS on December 17th, 1984. What’s it about?: Ebenezer Scrooge is an old miser that doesn't care for Christmas or the holiday spirit. So one fateful Christmas Eve he's visited by three spirits that attempt to show him the error of his ways. The Ghost of Christmas past the Ghost of Christmas present and the Ghost of Christmas’ yet to come. Rotten Analysis: This is considered by many to be the definitive edition of A Christmas Carol, and I can really see why. This is such a delightful and faithful take on the story that tackles themes of humanity, compassion, and social equality. It also speaks to the frustration that workers may be feeling, especially during rough times. I remember watching this as a child and being absolutely terrified. The tone, the setting—it's all so creepy. The Jacob Marley scene is especially terrifying, with his chains and head wrapping. While all the performances are excellent, Frank Finlay's portrayal of Jacob Marley is the stuff of nightmares. The Ghost of Christmas Present, played by Edward Woodward, is my favorite interpretation of the spirit. He's hot and cold, flexing his acting muscles across the emotional spectrum. He also has some terrifying moments, like when he reveals the two emaciated children hidden under his cloak. It's a truly haunting image. And if that wasn't frightening enough, the Ghost of Christmas Future is shrouded in macabre mystery. His very silence evokes a profound sense of dread. Watch this one with the lights on, folks! I've always liked the touches of terror that creep into this story. Every adaptation seems to find creative ways to incorporate them. But it's obvious that the true heavyweight actors here are George C. Scott and David Warner. Both are so damn good in their roles. I can't think of anyone who would have been better suited to play Ebenezer Scrooge. He's so gruff and rough around the edges. I don't think that anyone can deliver a "humbug" as convincingly as he can. A perfect angry curmudgeon. And Warner plays the most identifiable and real version of Bob Cratchit I've seen. Not just his dialogue, but his facial expressions and everything that Warner brings to the table is top quality. The young Anthony Walters plays Tiny Tim and is appropriately sympathetic. The dialogue is standard from the traditional text, but Hirson takes the opportunity to carve his own niche here. And it's perfect. The liberties taken with the original story blend seamlessly. This is the best live-action and true-to-form adaptation of Charles Dickens' tale, mostly due to the performances. But beyond that, it's a film that just seems to get everything right. The tone, setting, characters, and events are all very authentic. The set dressing is award-worthy. The art direction is amazing. Do yourself a favor and throw this one on during this holiday season. It may seem stuffy at first, but it's actually pretty fun to get through. A fine film for a Christmas tradition. RottenPop gives this classic holiday tale four stars. A Christmas Carol 88 of the 150 Movies of 1984 First Screening: October 9th, 1984 RottenPop Rating: ★★★★ Director: Clive Donner Writers: Roger O. Hirson Starring: George C. Scott, Frank Finlay, David Warner, and Susannah York Studios: Entertainers Partners Ltd Country: U.K. Genres: Dramatic Fantasy
Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.
Fred Claus and Santa Claus have been estranged brothers for many years. Now Fred must reconcile his differences with his brother whom he believes overshadows him. When an efficiency expert assesses the workings at the North Pole and threatens to shut Santa down, Fred must help his brother to save Christmas.
A decade-long novel, "Three Ways to Survive in a Ruined World", gains one devoted reader, Kim Dok-ja. As reality mirrors the book's premise, Dok-ja's in-depth understanding becomes his key to survival.
Aisha thought she had found happiness with Arif, a figure who perfectly complemented her life. Making her not hesitate to remove all obstacles, even the most difficult ones, to prove how great her love was. In fact, the love that Aisha believed in not only gave her wings to fly high, but also dropped her from the highest place, taking her to wander the jungle without a clear goal. Making her ask, Have the decisions she has made so far been right? Where will her love find its estuary? Truly God is All-Good, the journey through Ningxia made Aisha realize that time is another form of His goodness. And the most important part is not the beginning, but the end. Always the end.
Little Billy’s life is tormented by his scheming aunt who drags him daily to the cemetery and forces him to clean his uncle’s headstone. There Billy meets Myrtle, a little girl ghost stuck between the worlds of the living and the dead. Freeing Myrtle means losing the only friend Billy has ever had.
A romantic comedy that brings together three interrelated tales of gay men seeking family, love and sex during the holiday season.