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Police 24/7 - (Feb 7th)
Homicide Squad New Orleans - (Feb 7th)
The First 48 - (Feb 7th)
Swamp People- Serpent Invasion - (Feb 7th)
Fugitive Hunters Mexico - (Feb 7th)
Dateline- Unforgettable - (Feb 7th)
Swamp People - (Feb 7th)
The One Show - (Feb 7th)
Gangland Chronicles - (Oct 1st)
The Eastern Gate - (Feb 7th)
Hells Kitchen - (Feb 7th)
The Vanished Elephant - (Feb 7th)
This Old House - (Feb 7th)
The Rachel Maddow Show - (Feb 7th)
Ask This Old House - (Feb 7th)
Impractical Jokers - (Feb 7th)
The Last Word with Lawrence ODonnell - (Feb 7th)
Shoresy - (Feb 7th)
NFL Icons - (Feb 7th)
Dexter- Original Sin - (Feb 7th)
"The Call of Cthulhu" by the H.P. Lovecraft Historical Society was an absolutely sublime film. Making it a black-and-white silent film to appear as though it were made in the '20s-'30s was a stroke of genius, and the film stays very close to the source material without being boring. So when it was announced that they were doing a follow-up film, adapting Lovecraft "The Whisperer in Darkness," I was beside myself with joy to the point of being giddy. Unfortunately, "The Whisperer in Darkness" fails to live up to the high water mark left by "The Call of Cthulhu." Instead of a silent film, this one is done more in the style of a '50s black-and-white horror film. While I don't take issue with the style they chose, they still make some very odd choices that left me feeling a little cold and at times saying, "Huh?" So, where does the problem arise? I started to wonder if I remembered the original story correctly. Then realized that I had. They not only make adjustments to the story, but treat the story as only acts one and two, creating a completely original third act. While I understand the adaptation aspect of movies and am more tolerant than many seem to be because I understand that a direct one-to-one translation of most literary works to the screen would, well, suck, the change in tone in the third act is enough to give the audience whiplash. The final act goes straight into traditional horror and action that seems like something more out of the Call of Cthulhu RPG as opposed to the slow-burning weird fiction of the unknowable that Lovecraft is most well known for. This leaves us with one of the most inconsistent movies I've seen in recent memory. The tonal change is so drastic that it's clear the different parts of the film were written in two completely disparate time periods. As such, this film is kind of a let down after "The Call of Cthulhu." I strongly recommend seeing that one over "The Whisperer in Darkness" and only recommend this one for hardcore Lovecraft fans.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and soon races to uncover a terrible plot.
While doing a series of reports on alternative energy sources, opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicize the incident, but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
Seattle medical examiner David Krane is obsessed with solving his wife's murder. A possible solution presents itself in an experimental "memory" serum designed by a neurobiology professor, which has the ability to transfer memories from one person to another, but with potentially fatal consequences.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.