NAO_VA_EMBORA.mp4

Ken Bone became an overnight sensation after participating in a Clinton-Trump town hall in 2016, but the excitement of the moment came with some unexpected consequences.

An exploration of the origins of memes, how they spread, and the stories behind some of the most popular “human memes” like Ermahgerd Girl, Overly Attached Girlfriend, and Chocolate Rain Guy.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.

When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America's cultural divide.

Imagine this: you go dancing at a parade, there you will be filmed and suddenly this movie appears on the net. An artist makes art out of these images. From that moment on, your face buzzes out into the digital world. This case actually exists. The dancer is called Technoviking. He has become a famous figure on the Internet. However, it also raises a lot of questions: What are the boundaries between personality rights and the freedom of art? Can such a phenomenon be curbed at all by legal means? A feature length documentary on the popular Technoviking-Meme, one of the early big video memes on YouTube that ended up in court.

Born from the internet, the phrase "TFW No GF" was originally used online to describe a lack of romantic companionship. Since then, it has evolved to symbolize a greater state of existence defined by isolation, rejection and alienation. The meme's protagonist, "WOJAK," has become the mascot to a vast online community consisting of self-described "hyper-anonymous twenty somethings" and "guys who slipped between the cracks." TFW No GF asks: How has the zeitgeist come to bear down on a generation alienated by the 'real world'? Meet the lost boys who came of age on the internet- places like 4chan and Twitter, where they find camaraderie in despair.

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).