The Highs and Lows of Ken Bone's Fifteen Minutes of Fame

Made-for-television documentary about Daniel Radcliffe and his role as Harry Potter.

In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.

A revealing, edgy, and disarmingly personal journey into the world of superfandom, told through the lens of one of the world’s most iconic and enduring artists, Eminem, and the fans that worship him.

In this PBS documentary, technology experts Gina Smith and John Levine provide a light, plain English introduction to the Internet, World Wide Web and related technologies for work and home use.

This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.

From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.

Writers and historians including Hilary Mantel and Philippa Gregory revisit the last days of Anne Boleyn, who in 1536 became the first queen in British history to be executed.

Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.

One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.