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This features quite a strong performance from a convincing Teyana Taylor. She is "Inez" who decides that she wants to reclaim her young son "Terry" from his life on the streets of New York. What now ensues illustrates quite well the difficulties they both face as they both grow up with little by way of opportunity - or money - but determined to stick together despite their not always seeing eye to eye. Along the way, she marries "Lucky" (William Catlett), a decent man who offers some stability and it begins to look like "Terry" (by this stage played by Josiah Cross, but played well as a child by Aaron Kingsley Adetola) might just have a chance. Thing is, as the audience know by now, the relationship between mother and son is not as it seems - and the impending action of the authorities, coupled with a rather unscrupulous landlord, look like the wrecking ball is en route to their dreams. It meanders a bit too much for me, this film. It could have easily lost twenty minutes and the writing could have focussed better on developing the "Terry" character a little more, but it's still quite a powerful assessment of family values, loyalty and civic indifference that ought to make anyone sit up and take notice. It doesn't need a big screen - but is worth a watch on the telly.
It’s been said that a mother’s love for her child runs so deep that she’ll do virtually anything to protect her young. But is it possible to carry things too far? That’s a question raised in writer-director A.V. Rockwell’s debut feature about a mother with a criminal record (Teyana Taylor) who kidnaps her young son (Aaron Kingsley Adetola) out of foster care upon her release from prison. She questions the adequacy of the care he is receiving as a ward of the state, and so she snatches him from his foster caretaker and hides him away as she seeks to get her life together. Over the next 11 years (1994-2005), she largely succeeds at this, too, even in the midst of many challenges, including an often-uneven relationship with her former partner in crime (literally) (Will Catlett) and a rapidly changing New York, especially in her home neighborhood of Harlem. Despite a somewhat slow and unfocused start, the story deepens as this unlikely new family seeks to get on its feet. However, the somewhat-disjointed opening act sets the tone for the overall narrative, which gets away from its basic premise and starts meandering in engaging but largely unrelated territory, an issue that hampers the focus of this story until near the end. These shortcomings are defrayed to a degree by its fine performances, most notably Taylor and the gifted actors playing her son at ages 13 and 17 (Aven Courtney and Josiah Cross, respectively), but these portrayals aren’t quite enough to overcome the inherent drawbacks in the direction of the script. With that said, though, the filmmaker nevertheless shows promise in telling moving tales, so here’s hoping this start lead to better efforts in her future endeavors.
A story about a mother-son relationship and how it changes over the course of a decade. With a background setting of New York in the 90s and 00s, the movie depicts how issues like poverty, crime, race, and gentrification interact. Well acted with beautiful characters. Except the kid can be a little too sniveling at times. I mean, I get that there's childhood trauma and abandonment issues, but geeeeez.
The master of a Judo dojo turns his daughter into a master of the martial art as she is growing up. But now that she has reached marrying age, he finds it difficult to find her a husband that can accept her tomboy ways.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
After ten years abroad, Catherine returns to Luxembourg, to catch up with her daughter Alba, brought up by Catherine’s mother Elisabeth. Alba is cold and distant with this stranger showing up unexpectedly in her life, so is Elisabeth, keen to keep her protégée to herself. One day, Catherine cannot take it anymore. She kidnaps Alba and takes her on a trip to a lake up North. Begins an unsettling journey into the puzzling world of motherly love, only to find out that sometimes the true opponent is yourself.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
For a lifetime, Hedi Ohlsen subordinated her needs to the family. She raised a child, took care of the house and learned the unloved profession of dental assistant for the sake of her husband Johannes. And although John has left her for a younger one, Hedi still cares for her elderly mother-in-law Agnes. As this now blesses the time and Hedi finally wants to start her own life, suddenly her pregnant daughter Leonie is attacking at the door. She has quit, no money and no father for the child Hedi is to raise for her. Is the dream of late freedom back?
As an awkward idealistic high school teacher begins her first job in the city, things turn out to be much tougher than she had imagined.
After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting - and the catch is, neither does Rudi...