TOZ

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.

Former football player and wrestler Chris Nowinski's quest to publicize recent findings about the often dire consequences of head concussions sustained by athletes in contact sports — injuries that have previously been considered momentary setbacks and ignored in the name of toughness and dedication to the team.

A small town ice hockey team fights through their first season in an upper division. The players' dreams might have changed from childhood but their love for the sport does not fade.

The pond. This is where hockey was born-under the open sky-where the ice is gritty and so is the play. For generations, Northlanders have grown up on outdoor ice. But, there are new climate- controlled arenas in every town, and that's where the kids go to practice year-round now.

As an imminent construction project looms over their beloved small-town baseball field, a pair of New England rec-league teams face off for the last time. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.

Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.