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There probably aren't many film directors who can tackle the subject of rape, head on, and manage to get a laugh. Well I think Pedro Almodóvar just about manages that here thanks to an amiably strong performance from the eponymous make-up artist (Verónique Forqué). We first meet her when she is drafted in by her lover "Nicholas" (Peter Coyote) to dress the corpse of his son "Ramón" (Àlex Casanovas). What might have helped would have been for the young man to actually be dead! Next thing, he is proposing to her - unaware of the thing with his dad - and they are living together. Happy ending? Well no, because it turns out that his mother killed herself - or did she? Star of red-top television "Scarface" (the super-hammy Victoria Abril) lives across the road and when not cavaliering around on her motorbike dressed like a mobile outside broadcast truck, she is rather voyeuristically filming from her terrace and finally, there's the horny porn star "Pablo" (Santiago Lajusticia) whose record is four times consecutively and who knows how he likes to eat an orange segment. It is maybe just that the whole film's dark comedy is in such shocking bad taste that it sort of works. There's a vague mystery underpinning the thing, but essentially this is just a chance for the over-the-top Forqué to present a character that takes the rise out of the excesses of femininity and masculinity quite engagingly. Her life is a mess, but it's a quirky mess and it's her's! Indeed, just about everyone's life here is a bit a shambles and I found it quite fun as we wade about through them all. It's a bit rough around the edges, and Coyote isn't the best, but it is an eclectic character study that I quite enjoyed.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.
Cut From Cloth is a short family drama, set on the day of a funeral. After he passes away, three estranged siblings gather round their father's coffin to mourn his death and discuss their large inheritance. But when a knock sounds from within the casket, the siblings need to decide what is more important. - family or fortune?
A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.
