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"Aisha" (Letitia Wright) has been seeking asylum in Ireland for some while when she encounters and builds a friendship with the security guard at her hostel. He, "Conor" (John O'Connor) has a bit of baggage of his own, and the two find a certain comfort in supporting each other as she is moved to a rural caravan park where she must continue her quest for residency. There's no doubt that both Wright and O'Connor deliver decent efforts here, but somehow the underlying story left me rather underwhelmed. Why Ireland? Is it just the most porous part of the EU? There is little context given as to that choice, and so when her struggles against the bureaucracy become more difficult, I felt that whilst I empathised with her predicament, I couldn't quite see why this was an Irish problem? The presentation of her as an asylum seeker is largely predicated on the skills of Wright as an engaging actor, rather than of any depth to her characterisation that could enable a neutral to make the judgements the film is clearly steering us to make. It all has a certain degree of entitlement to it, and the writer and director needed to work much harder to present the audience with a legitimacy to the story, not just to rely on an assumption that the innate kindness and sympathy we ought to feel would be forthcoming. This needed much more development and balance - those doing immigration management jobs portrayed here are usually shown as uncaring and unfeeling in an almost lazy fashion - and that compromises the whole integrity of the story. The complexities of this scenario are over-simplified here, and I think an opportunity to raise awareness of this - on both sides - has been largely missed.
After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.
A "symbolic" character traces the path of man in search of salvation in this world within his own ghosts and deformations.
When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.
A fragile Kansas girl's unrequited and forbidden love for a handsome young man from the town's most powerful family drives her to heartbreak and madness.
After a twenty-year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behavior.
A film about the great Komitas, one of the victims of the Armenian Genocide, who wasn't killed, but went crazy and kept silence for 20 years
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
A nobleman with a literary flair, the Marquis de Sade lives in a madhouse where a beautiful laundry maid smuggles his erotic stories to a printer, defying orders from the asylum's resident priest. The titillating passages whip all of France into a sexual frenzy, until a fiercely conservative doctor tries to put an end to the fun.
After 12 years in an asylum, as she is reunited with friends and family, Dana begins to realize the events that led to her stay there may not have been imaginary.
