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The isn't actually a very good film, I felt - but it is does feature an extraordinary performance from Peter O'Toole as the "Earl of Gurney", about to take his seat in the house of Lords after his father has an untimely accident involving a noose and a tutu. His family are horrified at the prospect. Why? Well, that's because the new peer happens to believe he is Jesus. He spends much of his day contemplating or sleeping erect on his cruciform ornament in the great hall whilst the remainder of his rather eccentric family, and their boozy butter "Tucker" (Arthur Lowe) go about their business. They decide the only way to deal with him is to marry him off, beget an heir, then parcel him off to the asylum so they can resume their ordinary lives... What's probably most notable about this very theatrical black comedy is that it deals with just about everything from religion to vivisection, blasphemy (for many) to insinuendo (that's insidious innuendo in case you didn't know) and almost certainly would not be made now, 50 years on - being about as politically incorrect as it conceivable to be. British cinema always seems to take rather dim view of the church when it comes to comedy, and here Alastair Sim nobly continues with that tradition; Lowe is super as the butler - who's inherited £30,00 from the deceased so is in clover (when he is sober) and the two performances from William Mervyn and Coral Browne as his principal protagonists are amusing as their dastardly scheme takes shape. Sadly, though, it's all way too intense a pace to sustain, and despite the Oscar-nominated efforts of the star, the story begins to run out of steam quite quickly and the joke to wear a bit thin. There is nothing at all subtle about the humour and after a while I just stopped laughing. It is a beautifully shot film, the former Astor residence of Cliveden providing the setting for the ancestral family home, and the score from John Cameron mixes the original with just about everything from sea shanty fo high opera to ably support this preposterous swipe at the class system. It is too long, indeed it is far too long, but at times it shows creative British film making at it's most innovative and amusing and fans of O'Toole will probably appreciate (as would he, I suspect) the wedding scenes near the end... Fun, but over-stretched.
A young man turns from drug addiction and petty crime to a life redeemed by a discovery of compassion.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.
Bizarre back-to-back murders in an otherwise quiet Arizona desert town has rattled local Police Chief Jordan Sanders. The two dead women have no connection to each other – except they’re both named Maggie Moore. While unravelling a web of small-town lies and mysteries, the investigation gets even more complicated when Sanders begins a romantic relationship with one of the murdered women's neighbor, Rita.
Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?
What happens if a regular housewife picks up in a local beauty contest - and wins? How will it be when the husband forbids her to go to the finals in Mallorca - but she is going anyway?
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.
Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.
Anita, a free Emilian girl falls in love with Salvatore, a Neapolitan bersagliere. The two would like to get married, but he drowns while bathing in the river. From that moment the woman is unable to love anyone else because, at the most beautiful, the ghost of her fiancé appears to her who, in the end, will be able to be followed in the other world.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
