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**It's a reference film, although it's not exactly my cup of tea.** Well, first of all, I have to acknowledge the impact and popularity of this film, not just at the time it came out, but even today. It was one of the great successes of the time (except for the United Kingdom, shaken by the death of Diana Spencer, and where the film only later, on physical support, came to gain popularity). It is one of the most popular comedies of the late 20th century and was instrumental in consolidating and expanding Mike Myers' career. However, I don't think it's exactly… my cup of tea. And I will explain why. The script is, basically, a parody of the James Bond films… Austin Powers is a flamboyant and liberal spy who is described as the man all women want and all men want to copy. This is hilarious because the character is ugly, kitschy and has the manners of a deeply misogynistic sexual pervert. Nothing against it, I'm not a fan of political correctness. What really bothers me about this movie is the total absence of funny jokes and the emphasis on the sex theme. Almost all jokes have a sexual connotation, and this proved not only ineffective but tiresome. The plot is simple: in the Sixties, Powers fails in his attempt to neutralize his greatest enemy, Dr. Evil, when he escapes and freezes himself in a cryogenic capsule. In order not to be left behind, the spy offers to go through it, being frozen until the day his enemy returns, which happens in the late 90's. From here, a whole sub-plot is generated in which both characters, in their own way, will have to adapt to the new period as they prepare for the final confrontation. Myers is the driving force of the entire film, taking on the skin of two of the important characters: the hero and the villain. This is not something new in cinema and has already been carried out by Peter Sellers and Alec Guinness, two references that Myers took into account in his work. And even though I didn't really like the film, it wouldn't be right of me if I refrained from praising this actor, and his ability and commitment. Elizabeth Hurley played a spy, daughter of a former colleague of the protagonist, being the "Powers-Girl" in this film. She is good enough for the task and does a pleasant job. Technically, the film does what it needs. A regular cinematography with good colors and sharpness, a very pleasant rhythm and no dead moments. I liked the props and the sets, especially Powers' car (a classic Jaguar). His costume, clearly inspired by 18th century clothing, also seemed creative and original to me, although I have some difficulty in finding any credible basis for this option in the fashions and aesthetics of the 60s. Finally, a note of praise for the very good soundtrack and, in particular, for the lively dance sequence that accompanies the opening credits.
I know this is a very popular movie. It's just a little to weird of a comedy for my liking.
Newly-paroled former US Army ranger Cameron Poe is headed back to his wife, but must fly home aboard a prison transport flight dubbed "Jailbird" taking the “worst of the worst” prisoners, a group described as “pure predators”, to a new super-prison. Poe faces impossible odds when the transport plane is skyjacked mid-flight by the most vicious criminals in the country led by the mastermind — genius serial killer Cyrus "The Virus" Grissom, and backed by black militant Diamond Dog and psychopath Billy Bedlam.
The "Trinity" crew makes another modern era film. Plata and Salud are pilots ditching aircraft for insurance money. They wind up crashing for real in the jungles of South America. The plot involves "Mr. Big", who is buying the diamonds from the miners for much too little, and has thugs who keep the price down. Of course, Plata and Salud side with the miners
A failed engineering student in the late 1940s gets the unexpected education of a lifetime by working for four years in a rainforest tin mine.
Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in his power, he lies low under an assumed name in Vegas, performing cheap tricks and living off small-time gambling "winnings." But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
Bound by hate and a mystical amulet that holds the powers of life and death, two immortal wizards meet for the last time in an ancient struggle of good versus evil.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.
The epic saga continues as Luke Skywalker, in hopes of defeating the evil Galactic Empire, learns the ways of the Jedi from aging master Yoda. But Darth Vader is more determined than ever to capture Luke. Meanwhile, rebel leader Princess Leia, cocky Han Solo, Chewbacca, and droids C-3PO and R2-D2 are thrown into various stages of capture, betrayal and despair.
Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
