Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
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A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
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The Rev 2023 - Movies (Nov 30th)
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A 90s Christmas 2024 - Movies (Nov 30th)
Secret Lives of Orangutans 2024 - Movies (Nov 29th)
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Wolf Hall - (Dec 1st)
48 Hours - (Dec 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Like Water for Chocolate - (Dec 1st)
James Martins Saturday Morning - (Dec 1st)
All Elite Wrestling- Rampage - (Dec 1st)
All Elite Wrestling- Collision - (Dec 1st)
On Patrol- Live - (Dec 1st)
Marketplace - (Dec 1st)
Let me start off by saying that I completely understand all of the hate this film is getting, and that's because for the first half of the film I hated it too. For too much of this film, a lot of the characters are just unlikable slobs . . . especially Mel Gibson's character of Bill Long. Also, the story plays out . . . well, it plays out terribly for the first half of the film. It wasn't until later in the film when Stuart Long decides to become a preacher that I was actually invested, and why's that? That's because Long was an absolute piece of trash that I didn't want to watch for the first half of the film. This does not go without saying that by the end I liked Stuart Long's character in the film, but I couldn't like him for the first half. The film isn't precisely terrible, but it isn't good. The third act is solid, but everything in the first act is bad, and the second where Stu is transitioning is mediocre. This does not make for a good film. When the film is simply bad for the first two acts, it can't just make up for it with a good third act, which sucks because the third act was actually not too bad. The entire path of redemption message is interesting, but we've seen it done before, and with much better characters to say the least, but of course, this isn't saying that the path to redemption is bad to watch, but it is still bland and has been done multiple times before. It was nice to see Bill Long become a semi-decent human being at the end of the film, because he realizes he has to now actually care for his son, Stu, but it doesn't really redeem him as a character within the film's boundaries. Also, Bill's character is an absolute D-bag throughout most of the film, so it makes it extremely hard to like him as a character by the end of the film . . . but, boy, if seeing that final dance with his wife wasn't something. . . . Forgiveness is really what's at the core of "Father Stu", but I've already covered that previously. What I'm trying to talk about here is how almost all the characters have something they want to be forgiven for. Bill & Kathleen Long do seem to regret their choices that brought them to this point in their lives, and it's clear that they regret whatever tore them apart. As for Stu, he wants to be forgiven for everything. He regrets just about everything he's done in his life up to this point. The sad part about it is: There's just too much that Stu's done for the audience to really forgive him completely, although it is terrible what happened to him. In my eyes, "Father Stu" isn't absolutely terrible, and I do think that it's mediocre at best by the end of the day. The third act is very well done, but because of all the other stuff beforehand it leaves a bad taste in my mouth. I think people should check this one out if they're interested, but other than that, just leave it be. Ultimately, "Father Stu" is a hard thumbs down for me.
Mark Wahlberg is competent here as the eponymous boxer who takes a shine to the young church-going Carmen (Teresa Ruiz). He can't get near her, so he somewhat opportunistically decides to join her church and see if that helps. Thing is, pretty quickly he discovers that there is something to this "God" thing, and decides to try and get himself ordained for the priesthood - leaving all thoughts of the girl behind. Meantime, he discovers that he is suffering from a degenerative disease that will prove debilitating as he ages. It's one of those inspirational stories this, but I just didn't particularly like or empathise with "Stu". I found his profound and fairly sudden Damascine conversion hardly explained in the context of the film and except for a few decent contributions from the always reliable Jacki Weaver (his mother) the rest of this was all a bit lacking in substance. I never felt like I knew what made this man tick! It is nice to see Malcom McDowell back on the screen, and Mel Gibson is perfectly adequate as his rather indifferent father - but sadly, this whole film is a just another, sometimes touching, biopic of one man of many who live to inspire through their church (or not) whilst facing adversities and trials that trouble many people. It is watchable, but I'm afraid equally forgettable.
In 1987, in Goiânia, two paper collectors find a radioactive capsule and sell it to the owner of a junkyard. Once the capsule is opened, more than 250 people end up contaminated by the substance called Cesium 137, being the biggest radiological accident in the history of Brazil.
Monika Donner is a transsexual elite soldier, a front figure for gender rights and an author celebrated by the political right-wing. She, who was once a he, quickly becomes a lone fighter between the ideological fronts.
Tomasz Komenda was 23 years old when his normal life was brutally interrupted. Overnight he was arrested, thrown into prison and charged with murder. Subsequent expert opinions confirmed his participation in the crime, and any evidence was against him. For nearly two decades in prison, he was beaten, intimidated, humiliated and on his own. Finally, after 18 years of imprisonment, prosecutors and a policeman appeared on his way, who decided to discover the truth behind the mysterious case of the detainee.
Set during the tense 19 days of the Yom Kippur War in 1973, Israeli Prime Minister Golda Meir is faced with the potential of Israel’s complete destruction. She must navigate overwhelming odds, a skeptical cabinet and a complex relationship with US Secretary of State Henry Kissinger, with millions of lives in the balance. Her tough leadership and compassion would ultimately decide the fate of her nation and leave her with a controversial legacy around the world.
When the investigation of 'Koreagate' takes place, Park Yong-gak, a former KCIA director who knows everything about the government's operations, heads to the United States in exile.
A STRING OF BLUE BEADS is a slight little Christmas tale that was a pilot for an anthology series of short stories that never came to be. What makes this little film fascinating is it was one of the earliest color broadcasts on television and happily is one of the few early color productions for TV that can be seen in color now. Early color television productions seem to have had a limited color capability much like the early 1930's attempts at Technicolor. This actually adds to the charm of this little Christmas story giving in an "old time" feel.
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
The life of Anthony Kiedis, famed frontman of The Red Hot Chili Peppers, artist, addict, and ringleader, contains a deeply unconventional father and son story set against a substance-fueled 70s & 80s LA punk scene. This story examines, without judgement, how all of his experiences shaped the music that was eventually embraced by millions.
Unfolding during a 2004 episode of The Ellen DeGeneres Show, fitness trainer Richard Simmons makes an appearance. Amid the chaos and liveliness of the behind-the-scenes, Richard encounters David, an overlooked and underappreciated segment producer struggling with self-esteem. In a serendipitous twist, Richard sees beyond David's invisibility, offering his unique brand of honest, uplifting kindness.
A young transgender man explores his gender identity and searches for love in rural Nebraska.