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It is somewhat ironically apposite to watch this now in the UK where we are still having politically charged conversations about anti-Semitism. This silent film is a wonderfully satiric rendition of the Bettauer story about the citizens of a city who fear that it is steadily being taken over by the Jews. Via a series of regulations and eventually law the Jewish are persecuted then ultimately banished. Thereupon, their chickens come home to roost; their city collapses into chaos and the Jews are invited to return - very much on their own terms. The futility and short-sightedness of a "blame culture" is writ large. Personally, I didn't see this as a precursor of the Holocaust; though I can see how the polarised vision of Jewish faith and ethics could certainly provide the oxygen ultimately required for such irrational hatred. It also served to remind me of the huge talents of the musicians who provided the accompaniments to many films like this.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
A dystopian future set in a totalitarian world , where a young man's life is about to change.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
While an anatomy seminar prepares to examine the cadaver of Franz Wozzeck in the name of scientific progress, medical student Büchner excoriates humanity for having allowed Wozzeck’s fate. The tragic story unfolds in flashbacks, as Büchner narrates.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
