Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Matthew Perry A Hollywood Tragedy 2025 - ()
Take That This Life – Live In Concert 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Cellphone 2024 - ()
Into the Deep 2025 - ()
Gladiator II 2024 - ()
Sisterhood Inc. 2025 - ()
Bottom Feeders 2024 - ()
Veselka The Rainbow on the Corner at the Center of the World 2024 - ()
Monster Mash 2024 - ()
Kraven the Hunter 2024 - ()
Azrael 2024 - ()
Swimming Home 2024 - ()
Sugar Mama 2025 - ()
Ghost Rite Here Rite Now 2024 - ()
The Bayou 2025 - ()
Old Guy 2024 - ()
Millers in Marriage 2024 - ()
Inheritance 2025 - ()
Daytime Revolution 2024 - ()
Jean-Luc Godard's 1964 film Bandè a part (sometimes titled "Band of Outsiders") is an adaptation of a American crime novel that transcends its pulp origins through Godard's cinematic invention. The young lady Odile (Anna Karina), who isn't very bright, meets lowlife Franz (Sami Frey) in an English course and makes the mistake of telling him that the home in which she lives with her aunt holds a large amount of cash. Franz and fellow criminal Arthur (Claude Brasseur) plan a heist while at the same time vying for Odile's love, or at least her body. As is common in the French New Wave, the auteur only uses a crime caper as a skeleton for his own storytelling. A narrator (Godard himself) occasionally reads descriptive passages from the original novel, which are horribly purple prose, as if Godard is poking fun at his own source of inspiration. Bandè a part has occasionally been treated as a departure from this director's work, as "Godard for people who don't like Godard". However, anyone who has seen Godard's films to date will immediately recognize elements typical of his work at the time. For example, someone reads aloud a classic work of literature, this time an English teacher in a parody of modern language-learning methods. There is leftist social commentary, as the two criminals kill time by reading aloud tragic passages from Parisian newspapers. There is also dancing, as in the film's most famous scene Odile, Franz and Arthur interrupt their plotting for an amusing line dance in a café, over which the narrator tells us their unspoken thoughts. And then there is Godard's many references to the film canon. Bandè a part is deeply imbued with the spirit of American noir films, which fits with the crime caper plot, but it also nods to classic slapstick and romance, which gives it a levity and charm I wouldn't have expected from a film with these particular characters. Bandè a part may not be among the most awesome masterpieces of cinema, but it is memorable and funny, and very much worth seeing for fans of mid-century French films.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals' hands. An Irish liaison assembles a squad of mercenaries, or 'ronin', and gives them the thorny task of recovering the case.
Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.
A year has passed since Menma's ghostly return to the Super Peace Busters. Although the time they spent together during that summer was short, the five members reminisce about what happened as they each write a letter to their lost friend.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.